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  <title>PghKitten&apos;s Journal</title>
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  <lastBuildDate>Mon, 05 Oct 2009 14:48:37 GMT</lastBuildDate>
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  <lj:journalid>2773949</lj:journalid>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/318278.html</guid>
  <pubDate>Mon, 05 Oct 2009 14:48:37 GMT</pubDate>
  <title>In Which Stacie Chases Yet Another of Her Old-Fashioned Notions</title>
  <link>http://pghkitten.livejournal.com/318278.html</link>
  <description>Reposted from Facebook on account of my friends list here doesn&apos;t quite overlap the one there.&lt;br /&gt;&lt;br /&gt;So during the last few years, I&apos;ve discussed separately with at least Kat, Wendy, Amber, and possibly others the idea of getting together and having a &quot;sewing circle&quot;-type thing, since I know so many cool and creative people, and our busy lives mean that we often only get together for gaming or going out. The season, which features increasingly earlier nighttime and cold cocoony weather, has made me want to bring this to fruition. Even though this semester is not as bad for Adam as last year&apos;s were, I&apos;ve still ended up having a lot of free evenings while he works, and have spent a lot of them working alone on my crafty projects. But it would be more fun to have company, so would people be interested in coming over and working on creative stuff some night this week or later? Since we are living in the Enlightened Twenty-First Century, guys are welcome too! I know there are a lot of you who paint miniatures and stuff. Come over and sew, knit, draw, découpage, scrapbook, write structured poetry, etc.! There can even be tasty refreshments.&lt;br /&gt;&lt;br /&gt;I&apos;m usually completely free Monday and Wednesday nights, and occasionally on Tuesdays. Fridays and Saturdays are less reliable, and Thursdays and Sundays are, of course, gaming. It&apos;s been indicated that Monday the 12th may be a possible good night for some. Let me know!</description>
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  <category>friends</category>
  <category>crafts</category>
  <lj:mood>creative</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>5</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/314037.html</guid>
  <pubDate>Thu, 18 Jun 2009 15:49:37 GMT</pubDate>
  <title>Damage Report</title>
  <link>http://pghkitten.livejournal.com/314037.html</link>
  <description>This is the first time in my life I&apos;ve ever lived in a valley instead of the top of a hill.  Until last night, I didn&apos;t fully appreciate the benefits of the latter option.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We were enjoying the storm quite a lot throughout dinner; in fact, Adam went out in it and played with the energy for a while.  That was entertaining; at certain points, he shouted at the storm and it thundered back at him.  It&apos;s the first time we had a really good thunderstorm since we moved, and it was very cool.  It was also very interesting to see the purpose of the little slits in the brick retaining wall holding up our garden; we had little waterfalls pouring out of each of them.  I kind of feel bad about the spiders that used to live in them; they probably didn&apos;t weather the storm too well.  We were slightly concerned about a bit of erosion of the yard into the driveway, but everything seemed like issues we could deal with.&lt;br /&gt;&lt;br /&gt;Then the power went out.&lt;br /&gt;&lt;br /&gt;Then we realized we hadn&apos;t seen the kittens in a while, and that we were hearing faint trickling sounds coming from the basement.&lt;br /&gt;&lt;br /&gt;Mina and Eris were investigating a small stream of water going from the corner to the drain down there.  We&apos;d had a bit of flooding one day this past winter, when we got a lot of rain that couldn&apos;t soak into the frozen ground, but the inspector had pronounced the basement a bit susceptible to moisture but no big problem.&lt;br /&gt;&lt;br /&gt;We shone a flashlight around and discovered another little stream.  Then another.  Then another.  And then we looked at the back wall, right underneath the gas meter, and noticed a little fountain squirting directly out of the wall.&lt;br /&gt;&lt;br /&gt;O.O&lt;br /&gt;&lt;br /&gt;It&apos;s probably fortunate that we were down there at that moment, because that was almost exactly when the ground reached full saturation and the stormdrains began to back up.  As we watched, the water stopped going down the drain and began to rise.  I briefly tried to bail out the area around the drain with a bucket, until I realized--there was absolutely nowhere I could put the water.  Even if I took it upstairs and threw it out into the yard, it would just keep flowing back in.&lt;br /&gt;&lt;br /&gt;We began simultaneously trying to get our possessions on top of the appliances and rescue the cats, whose curiosity was getting them into frequent crises as they tried to investigate the water and then found themselves trapped.  Water began to bubble up through cracks in the basement floor.  We discovered another wall fountain beside Adam&apos;s vintage copy of the Fireball Island board game (one of his most prized possessions) and a C3PO figure boxed set.  Don&apos;t know how bad the damage was to them yet.  We kept moving stuff around in between harried calls to our parents asking what to do, and by that time, the water was up to our ankles in the highest parts of the basement, and shin-depth around the drain.  Water was coming out of all four of the walls.  The kittens were cowering in terror on top of the washing machine.  I felt like I was a passenger on the fucking Titanic.  But there is always a part of that appreciates a good adventure story even when I&apos;m in the midst of it, so instead of freaking out too much, I just had to laugh and watch the water continue to rise.&lt;br /&gt;&lt;br /&gt;We rescued one of the litterboxes, brought it upstairs, and closed off the basement.  This was an ordeal, because the cats--despite being terrified--couldn&apos;t look away from the apocalyptic destruction of their lair, and every time we brought one of them upstairs, they would run back down again and get stranded.  But we eventually got them both upstairs, and since it was getting a bit dark to do anything but read by candlelight, we decided to check out how things were doing outside.&lt;br /&gt;&lt;br /&gt;Well.&lt;br /&gt;&lt;br /&gt;At first, it didn&apos;t look too bad.  Adam&apos;s mom had said she&apos;d seen a weather report about cars being underwater at Big Jim&apos;s, and in our naivete, we were like, &quot;LOL, that&apos;s impossible.&quot; We didn&apos;t see any terrible mayhem from our front door, at least; only a stream of water going down the road and a big puddle on our front walk.  Then I stepped off the porch steps and realized that the puddle went up to my ankles...and it had a &lt;i&gt;current&lt;/i&gt;.  At that point I was intrigued and had to look at what was going on in the neighborhood, and Adam followed.  It was actually difficult getting to the street.  Below the water there was a layer of mud, and my flip-flops kept sticking and sliding (that will be important later).  When I got to the street (having had to hold onto the fence to get there!), I realized that what had seemed like a small trickle of water...well, wasn&apos;t, because the edge of the street was gone in places, making it a lot deeper than it looked.  We went upstream, and that was when we began to see the really interesting stuff.&lt;br /&gt;&lt;br /&gt;Boundary Street was completely underwater, and in the middle of it was a fountain about three feet tall and twice as wide as I am, shooting up out of a manhole like a geyser.  In fact, almost all of the manholes in the neighborhood were doing that.  We waded up Boundary and turned onto Saline, and looked over toward Big Jim&apos;s.  The picture I took is up on Facebook.  Adam&apos;s mom was right.  There was a car sort of half on the curb and half on Saline, nose-down in the water, submerged up to the front seat.  Only the back half was visible.  Sitting beside it was an SUV with water up to its hood.  People were standing around just staring in amazement and laughing, because I don&apos;t think any of us could believe what we were seeing.  Horrible property damage aside, it was almost kind of cool to look at.&lt;br /&gt;&lt;br /&gt;At that point the rain began to pick up a lot again, so we started to head back home.  On the way back up to our sidewalk, one of my sandals stuck in the mud while I was fighting the current.  My foot pulled out of it, I bent down to retrieve it, and it was gone.  We still haven&apos;t found it.  It&apos;s probably in the river by now.  And it was one of my favorite shoes, too--one of the Tinkerbell flip-flops I bought during our honeymoon the last time we decided to walk around in a torrential downpour (although to our credit, that time, it was a tropical storm and we didn&apos;t have much choice).&lt;br /&gt;&lt;br /&gt;That was the biggest excitement for the night, except for hearing weather reports from other people, since our power was still out (apparently a tornado touched down in Braddock and cars were floating away at the intersection of Bates Street, which is only two traffic lights away from our neighborhood).  I think we went to bed before 11, because it was dark, we were tired, and there was nothing else to do but wait for it to stop raining.  The city actually sent street-sweeping trucks to our area this morning.  It&apos;s the first time I&apos;ve ever seen them there.&lt;br /&gt;&lt;br /&gt;Early morning was a bit miserable for us; we still had no power, our gas was now off, and we had a refrigerator and two freezers&apos; worth of thawing food meant to get us through the rest of the month because we have no money.  But we did have enough hot water to shower with, at least, and the power went back on right as Adam was leaving for class.  And Saline Street (the only way out of the neighborhood by car) was surprisingly unscathed.  We&apos;d been worried, due to the angle of the car sticking out of it last night, that it had collapsed.&lt;br /&gt;&lt;br /&gt;So as long as our gas is back on by the time we get home, things will mostly be back to normal.  We&apos;ll need to dry out the basement, clean the floor, and see what damage was done to our board games, and we&apos;ll probably have to shovel lots of mud off the sidewalks, but it&apos;s a lot better than it could have been.  My mom told me that there were houses in Oakland and Squirrel Hill that had five feet, not five inches, of water in the basement, and that people trying to seek shelter from the funnel clouds had to run back upstairs when they realized their cellars were completely full of water.  So I guess our first natural disaster wasn&apos;t all that bad.  I hope everyone else was able to get through it all right as well.&lt;br /&gt;&lt;br /&gt;</description>
  <comments>http://pghkitten.livejournal.com/314037.html</comments>
  <category>bad things</category>
  <category>bloody weather</category>
  <category>the apocalypse</category>
  <lj:mood>exanimate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>5</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/313414.html</guid>
  <pubDate>Wed, 10 Jun 2009 13:26:11 GMT</pubDate>
  <link>http://pghkitten.livejournal.com/313414.html</link>
  <description>&lt;i&gt;Now you will feel no rain,&lt;br /&gt;For each of you will be shelter to the other.&lt;br /&gt;Now you will feel no cold,&lt;br /&gt;For each of you will be warmth to the other.&lt;br /&gt;Now there is no more loneliness,&lt;br /&gt;For each of you will be companion to the other.&lt;br /&gt;Now you are two bodies,&lt;br /&gt;But there is one life before you.&lt;br /&gt;Go now to your dwelling place,&lt;br /&gt;To enter into the days of your togetherness.&lt;br /&gt;And may your days be good and long upon the earth.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;It&apos;s called the &quot;Apache Wedding Prayer&quot;, and even though I know it probably has nothing to do with the Apache Nation or any other native tradition and was probably created by a Hallmark copywriter, it still gets me teary-eyed every time I hear it.  It was the closing reading at our wedding, and it comes to mind today, on the third anniversary of the day we got most of our friends and family together to celebrate the love we share.  Here&apos;s to many more.</description>
  <comments>http://pghkitten.livejournal.com/313414.html</comments>
  <category>love</category>
  <category>anniversary</category>
  <category>wedding</category>
  <lj:mood>happy</lj:mood>
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  <lj:reply-count>9</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/312126.html</guid>
  <pubDate>Thu, 21 May 2009 13:38:21 GMT</pubDate>
  <link>http://pghkitten.livejournal.com/312126.html</link>
  <description>Happy birthday to &lt;span class=&apos;ljuser  ljuser-name_guendolen_sama&apos; lj:user=&apos;guendolen_sama&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://guendolen-sama.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://l-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://guendolen-sama.livejournal.com/&apos;&gt;&lt;b&gt;guendolen_sama&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;!</description>
  <comments>http://pghkitten.livejournal.com/312126.html</comments>
  <category>birthday</category>
  <category>family</category>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/311165.html</guid>
  <pubDate>Wed, 06 May 2009 13:48:39 GMT</pubDate>
  <title>Winter seems officially to be coming now</title>
  <link>http://pghkitten.livejournal.com/311165.html</link>
  <description>The role of Tyrion Lannister has been cast in the HBO &lt;i&gt;Game of Thrones&lt;/i&gt; pilot!&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://winter-is-coming.blogspot.com/2009/05/first-cast-member-and-director.html&quot;&gt;http://winter-is-coming.blogspot.com/2009/05/first-cast-member-and-director.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I don&apos;t think I&apos;ve seen anything this actor is in, but various forums discussing the show have suggested he&apos;ll be great in the part.  I&apos;m very excited that the show seems to be making progress.  I would love to see it onscreen, and HBO won&apos;t pull any punches when keeping to the...rather gritty spirit of the series, unlike the little I&apos;ve seen of ABC Family&apos;s rendition of the Terry Goodkind books.</description>
  <comments>http://pghkitten.livejournal.com/311165.html</comments>
  <category>asoiaf</category>
  <category>tv</category>
  <lj:mood>happy</lj:mood>
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  <lj:reply-count>1</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/308718.html</guid>
  <pubDate>Fri, 10 Apr 2009 13:47:53 GMT</pubDate>
  <title>This is pghkitten being outraged about another form of media besides Twilight for once</title>
  <link>http://pghkitten.livejournal.com/308718.html</link>
  <description>&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;OH NO THEY FUCKING DIDN&apos;T.&lt;br /&gt;&lt;br /&gt;As much as it was kinda great to see the Yotsuba* Corporation arc wrap up, and as cool as it was to see Light transform back from confused, essentially goodhearted crime fighter into his usual megalomaniacal bastard self, and as awesome it was to see Light&apos;s sinister master plan fall into place almost perfectly...still.  No.&lt;br /&gt;&lt;br /&gt;I was totally emotionally prepared to see &lt;i&gt;Misa&lt;/i&gt; die during this episode.&lt;br /&gt;&lt;br /&gt;Adam and I have agreed that if L is actually dead, our interest in the show diminishes exponentially.  We have some hope in a theory that he may have faked his death and that Near, the new boy genius on the cover of Vol. 7 about whom we know nothing about, may be L in disguise, but I don&apos;t have 100% faith in that theory.  It would also be a fitting end for L, at the moment of death, to get his confirmation of Kira&apos;s identity in his glimpse of Light&apos;s RED-EYED GRINNING EVILFACE.  &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://pics.livejournal.com/pghkitten/pic/0000es7y/&quot;&gt;&lt;img src=&quot;http://pics.livejournal.com/pghkitten/pic/0000es7y/s320x240&quot; width=&quot;320&quot; height=&quot;180&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;When L closed his eyes, he looked satisfied.  On a plot level, it wouldn&apos;t be a terrible move on the writer&apos;s part.&lt;br /&gt;&lt;br /&gt;But still, the reason I watch this show is to see L take Light down, and if that doesn&apos;t happen, I&apos;m going to be pretty damn disappointed.&lt;br /&gt;&lt;br /&gt;At least I&apos;m pretty convinced that Light is going down fairly soon anyway, because he seems to be having some problems with impulse control, and to have developed Tourette&apos;s Syndrome of the face since he got his memories back.  Now he&apos;s all...&lt;br /&gt;&lt;br /&gt;LIGHT: We must avenge Ryuzaki, no matter what it takes.&lt;br /&gt;&lt;br /&gt;(turns away)&lt;br /&gt;&lt;br /&gt;LIGHT: RED-EYED GRINNING EVILFACE&lt;br /&gt;&lt;br /&gt;TASK FORCE: Light, you doing okay?&lt;br /&gt;&lt;br /&gt;LIGHT: (sniffles) I&apos;m...just a little overwrought over my best friend&apos;s and his butler&apos;s and the Shinigami&apos;s death, but thanks.  You guys are great.&lt;br /&gt;&lt;br /&gt;(turns away)&lt;br /&gt;&lt;br /&gt;LIGHT: RED-EYED GRINNING EVILFACE&lt;br /&gt;&lt;br /&gt;MATSUDA: Hey, want me to grab you a sandwich while I&apos;m out?  Hang in there, buddy.&lt;br /&gt;&lt;br /&gt;LIGHT: Nah, I&apos;ve got a Hot Pocket to eat here, but thanks.&lt;br /&gt;&lt;br /&gt;(turns away)&lt;br /&gt;&lt;br /&gt;LIGHT: RED-EYED GRINNING EVILFACE&lt;br /&gt;&lt;br /&gt;So...yes, Light, please keep losing control of yourself and be destroyed soon.  Part of me doesn&apos;t want to say that, because this has been the best series I&apos;ve seen recently and I&apos;m not too eager to see it end, but now I really just want to see if L managed to pull off an upset, and I want to see that bastard go down in flames.&lt;br /&gt;&lt;br /&gt;DO NOT MESS WITH CHARACTERS I&apos;VE BOUGHT PLUSHIES OF.&lt;br /&gt;&lt;br /&gt;Just sayin&apos;. ;-P&lt;br /&gt;&lt;br /&gt;*I couldn&apos;t take this name seriously, because every time I heard it, I thought of this &lt;a href=&quot;http://en.wikipedia.org/wiki/Yotsuba_Koiwai&quot;&gt;Yotsuba&lt;/a&gt;.  And the strangest thing is (you&apos;ll probably understand this if you&apos;ve read that manga)...I could actually &lt;i&gt;see&lt;/i&gt; Yotsuba possessing a Death Note, and it would probably make for a very disturbing and awesome crossover story.  Just think about it. O.o&lt;br /&gt;&lt;br /&gt;</description>
  <comments>http://pghkitten.livejournal.com/308718.html</comments>
  <category>bad things</category>
  <category>anime</category>
  <lj:mood>irate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/307677.html</guid>
  <pubDate>Sun, 05 Apr 2009 06:46:04 GMT</pubDate>
  <title>Things that rock</title>
  <link>http://pghkitten.livejournal.com/307677.html</link>
  <description>*Everyone who offered birthday wishes/reassurances of my continued nondecrepitude.  Thank you all. ::hugs and kisses::&lt;br /&gt;*The David L. Lawrence Convention Center, which didn&apos;t fall down while we were there, and which seems to be a perfect venue for our poor itinerant Tekkoshocon.&lt;br /&gt;*Downtown Pittsburgh, which is quite pretty in spring.&lt;br /&gt;*Fondue.&lt;br /&gt;*Fondue with LOBSTER.&lt;br /&gt;*&lt;a href=&quot;http://www4.funimation.com/baccano/&quot;&gt;Baccano!&lt;/a&gt;&lt;br /&gt;*Adam, who provided for me an awesome and wonderful weekend, and who is getting me a new bike so pghkitten can go ZOOM all around the city and grow fit and healthy!&lt;br /&gt;*Did I mention &lt;a href=&quot;http://www4.funimation.com/baccano/&quot;&gt;Baccano!&lt;/a&gt;?&lt;br /&gt;&lt;br /&gt;I am happy and lucky and full of fondue.  It has been a great birthday/convention weekend.</description>
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  <category>birthday</category>
  <category>food</category>
  <category>good things</category>
  <category>anime</category>
  <category>friends</category>
  <lj:mood>grateful</lj:mood>
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  <lj:reply-count>4</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/306290.html</guid>
  <pubDate>Wed, 25 Mar 2009 00:22:35 GMT</pubDate>
  <title>A non-sparkly interlude</title>
  <link>http://pghkitten.livejournal.com/306290.html</link>
  <description>I suppose it&apos;s not surprising, given that they are growing up in a house steeped in King, zombies, Lovecraft, and goat skulls on the guest room bookshelf (really!), but it&apos;s still amusing:&lt;br /&gt;&lt;br /&gt;The kittens have apparently developed a liking for horror entertainment.&lt;br /&gt;&lt;br /&gt;They&apos;ve begun deliberately hanging out in sinks and the bathtub, sitting directly under the faucet and staring expectantly up at it.  They wait there until I turn on the water.  Then they freak out, skitter away from it, vacate the premises, shake their paws, and bathe themselves furiously.&lt;br /&gt;&lt;br /&gt;When I turn the water off, they jump back in the sink or bathtub, sit down under the tap, and wait for the water to return.&lt;br /&gt;&lt;br /&gt;It&apos;s so damn hilarious.</description>
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  <category>kittens</category>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/305541.html</guid>
  <pubDate>Wed, 18 Mar 2009 13:13:09 GMT</pubDate>
  <link>http://pghkitten.livejournal.com/305541.html</link>
  <description>I was going to title this &quot;A Meme for Monday,&quot; except that it&apos;s Wednesday. ::tries to adjust inner clock::&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Seriously.  Who is this guy?&lt;br /&gt;&lt;br /&gt;&lt;table width=&quot;90%&quot; border=&quot;1&quot; cellpadding=&quot;8&quot; align=&quot;center&quot;&gt;&lt;tr&gt;&lt;td width=&quot;1%&quot;&gt;&lt;img src=&quot;http://paulkienitz.net/quizpix/skiffy_paul.jpg&quot; width=&quot;200&quot; height=&quot;200&quot;&gt;&lt;/td&gt;&lt;td&gt;I am:&lt;blockquote&gt;&lt;big&gt;&lt;big&gt;&lt;b&gt;Cordwainer Smith (Paul M.A. Linebarger)&lt;/b&gt;&lt;/big&gt;&lt;/big&gt;&lt;/blockquote&gt;This inimitably unique storyteller created a future with so many deep layers of history that all the world we know is practically lost in it.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br /&gt;&lt;center&gt;&lt;p&gt;&lt;br&gt;&lt;b&gt;&lt;a href=&quot;http://paulkienitz.net/skiffy.html&quot;&gt;Which science fiction writer are you?&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;</description>
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  <category>meme</category>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/305211.html</guid>
  <pubDate>Tue, 10 Mar 2009 21:40:17 GMT</pubDate>
  <title>Today&apos;s daily supply of just wrong</title>
  <link>http://pghkitten.livejournal.com/305211.html</link>
  <description>Just in case anybody missed the link on FaceBook today:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://entertainment.todaysbigthing.com/2009/03/06&quot;&gt;Saturday Morning Watchmen&lt;/a&gt;</description>
  <comments>http://pghkitten.livejournal.com/305211.html</comments>
  <category>wtf</category>
  <category>movies</category>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/304760.html</guid>
  <pubDate>Tue, 10 Mar 2009 13:20:50 GMT</pubDate>
  <link>http://pghkitten.livejournal.com/304760.html</link>
  <description>Thank you, Vatican City, for periodically giving me these little reminders about why I left the Church:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://news.yahoo.com/s/nm/20090309/od_nm/us_washingmachine_1&quot;&gt;http://news.yahoo.com/s/nm/20090309/od_nm/us_washingmachine_1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Seriously, wow, what a proud and empowering message to offer for International Women&apos;s Day.</description>
  <comments>http://pghkitten.livejournal.com/304760.html</comments>
  <category>stupidity</category>
  <category>religion</category>
  <category>gender</category>
  <lj:mood>irate</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/302945.html</guid>
  <pubDate>Sat, 14 Feb 2009 16:23:25 GMT</pubDate>
  <title>Les loups, les fouets, et embrasse !</title>
  <link>http://pghkitten.livejournal.com/302945.html</link>
  <description>Bonjour, mes amis, mes membres de famille, et les amants ! Aujourd&apos;hui est le jour que nous célébrons le St. Le valentin, et si vous retournez loin assez, le jour que nous célébrons la fertilité dans les champs, les loups qui laissent des figures romaines légendaires soignent d&apos;eux, et frappant des femmes heureuses avec les fouets. Je poste de nouveau dans la langue d&apos;amour, parce que c&apos;est un bon jour pour faire cela. J&apos;espère que tout le monde je sache -- seul, épousé, ou dans n&apos;importe quel des états merveilleux au milieu -- a un jour merveilleux, et que vous dites que quelqu&apos;un ou sont dit par quelqu&apos;un que vous les aimez. Nous allons à Rouge Chaud et Bleu pour manger quelques côtes, parce qu&apos;ils sont proches au coeur, et nous verrons que Coraline, que nous entendons est un très bon film. Adam m&apos;a acheté les chocolats et râle saccadé pour symboliser les fouets de Lupercalia. Aujourd&apos;hui, embrasser votre amant, appeler un ami, ou câliner un chaton, parce qu&apos;est aujourd&apos;hui le jour pour l&apos;aimer, dans quoi que la forme qui aime prend.</description>
  <comments>http://pghkitten.livejournal.com/302945.html</comments>
  <category>holiday</category>
  <category>love</category>
  <category>meat</category>
  <category>friends</category>
  <lj:mood>loved</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>5</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/302197.html</guid>
  <pubDate>Wed, 11 Feb 2009 14:41:56 GMT</pubDate>
  <title>A surfeit of lampreys (lampreys=relatives)</title>
  <link>http://pghkitten.livejournal.com/302197.html</link>
  <description>Okay, so yesterday on a whim, I decided to start a family tree on &lt;a href=&quot;http://www.ancestry.com&quot;&gt;Ancestry.com&lt;/a&gt;.  Soon after that, I signed up for the 14-day free trial.&lt;br /&gt;&lt;br /&gt;A few hours after that I had a family tree for my paternal grandmother&apos;s line going back 12 generations to the 1500s.&lt;br /&gt;&lt;br /&gt;Holy crap am I OCDing over this site, but it&apos;s fascinating.  &lt;br /&gt;&lt;br /&gt;I have ancestors named Zillah and Hieronymus.&lt;br /&gt;&lt;br /&gt;My dad, whom I&apos;ve always thought of as simply English, German, and a bit Scotch-Irish, has heritage including Swiss, Dutch, and Alsatian.  A lot of Alsatian, actually.  I wonder if my father&apos;s family is distantly related to &lt;span class=&apos;ljuser  ljuser-name_mrteapot&apos; lj:user=&apos;mrteapot&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://mrteapot.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://l-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://mrteapot.livejournal.com/&apos;&gt;&lt;b&gt;mrteapot&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;I suspect this is how I&apos;m going to be spending a lot of my time in the near future. :-P</description>
  <comments>http://pghkitten.livejournal.com/302197.html</comments>
  <category>genealogy</category>
  <category>family</category>
  <lj:mood>geeky</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/301672.html</guid>
  <pubDate>Mon, 09 Feb 2009 14:00:21 GMT</pubDate>
  <link>http://pghkitten.livejournal.com/301672.html</link>
  <description>Happy birthday to &lt;span class=&apos;ljuser  ljuser-name_sol_blackstar&apos; lj:user=&apos;sol_blackstar&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://sol-blackstar.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://l-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://sol-blackstar.livejournal.com/&apos;&gt;&lt;b&gt;sol_blackstar&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;!</description>
  <comments>http://pghkitten.livejournal.com/301672.html</comments>
  <category>birthday</category>
  <category>friends</category>
  <lj:mood>celebratory</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/301015.html</guid>
  <pubDate>Mon, 02 Feb 2009 05:23:02 GMT</pubDate>
  <title>Tomo says, &quot;One for the other thumb!&quot;</title>
  <link>http://pghkitten.livejournal.com/301015.html</link>
  <description>This is apparently the fiscal year (in other words, the one starting last July) where pghkitten gets everything she wants.&lt;br /&gt;&lt;br /&gt;Egads.  People running the entire length of the football field and making touchdowns on their tippytoes and us royally sucking for a long time and then pulling a victory totally out of our asses.  Wow.&lt;br /&gt;&lt;br /&gt;We walked down Carson Street afterwards and celebrated with nearly everyone between the ages of 21 and 60 in the city (the ones between 18 and 21 were in Oakland, I guess), and Adam jumped in the air and chest-bumped some guy and got knocked back a few feet.  And then we saw a giant phalanx of police either ahorseback or in full riot gear with shields and huge broom handles encouraging people to return to their homes, and we ducked down a side street so as not to be urged to move along, and I felt very much like one of my gaming characters. :-D&lt;br /&gt;&lt;br /&gt;I am well pleased.</description>
  <comments>http://pghkitten.livejournal.com/301015.html</comments>
  <category>pittsburgh</category>
  <category>good things</category>
  <category>sports</category>
  <lj:mood>giddy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>http://pghkitten.livejournal.com/299356.html</guid>
  <pubDate>Fri, 16 Jan 2009 01:09:43 GMT</pubDate>
  <title>Amusing</title>
  <link>http://pghkitten.livejournal.com/299356.html</link>
  <description>Just a moment ago, Mina tried to jump onto the computer keyboard--she likes to sit right in the middle of it--and slipped, ending up hanging onto the edge of it for dear life.  In the process of flailing, she ended up completing a search for the word &quot;uyuuuuuuuuuuuuuuuuuuuuuuuuu&quot; on YouTube.&lt;br /&gt;&lt;br /&gt;The best part is the fact that seven matches came up. :)</description>
  <comments>http://pghkitten.livejournal.com/299356.html</comments>
  <category>kittens</category>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/298856.html</guid>
  <pubDate>Tue, 13 Jan 2009 14:12:43 GMT</pubDate>
  <title>Happy Birthday...</title>
  <link>http://pghkitten.livejournal.com/298856.html</link>
  <description>...to &lt;span class=&apos;ljuser  ljuser-name_little__one&apos; lj:user=&apos;little__one&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://little--one.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://l-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://little--one.livejournal.com/&apos;&gt;&lt;b&gt;little__one&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;!  Have a great day!</description>
  <comments>http://pghkitten.livejournal.com/298856.html</comments>
  <category>birthday</category>
  <category>good things</category>
  <category>friends</category>
  <lj:mood>celebratory</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/298317.html</guid>
  <pubDate>Fri, 09 Jan 2009 18:10:17 GMT</pubDate>
  <title>Pittsburgh-Related Onion Article of the Day</title>
  <link>http://pghkitten.livejournal.com/298317.html</link>
  <description>...Although I wouldn&apos;t be terribly surprised if it were actually true.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.theonion.com/content/news_briefs/teammates_pretty_sure_ben&quot;&gt;http://www.theonion.com/content/news_briefs/teammates_pretty_sure_ben&lt;/a&gt;</description>
  <comments>http://pghkitten.livejournal.com/298317.html</comments>
  <category>pittsburgh</category>
  <category>sports</category>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/296782.html</guid>
  <pubDate>Tue, 06 Jan 2009 17:28:25 GMT</pubDate>
  <title>Home of the calzone as big as your child</title>
  <link>http://pghkitten.livejournal.com/296782.html</link>
  <description>I would like to report, with great hometown and indeed home neighborhood pride, that one of our favorite local eateries (local enough that we could probably hit it from our house with a slingshot, if we got the angle right), Big Jim&apos;s, was featured on &lt;i&gt;Diners, Drive-Ins, and Dives&lt;/i&gt; last night.  Serendipitously, we happen to be eating there with our erstwhile realtor tonight.  This makes me a very happy pghkitten.</description>
  <comments>http://pghkitten.livejournal.com/296782.html</comments>
  <category>food</category>
  <category>pittsburgh</category>
  <lj:security>public</lj:security>
  <lj:reply-count>13</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/296488.html</guid>
  <pubDate>Mon, 05 Jan 2009 16:30:43 GMT</pubDate>
  <title>Very amusing</title>
  <link>http://pghkitten.livejournal.com/296488.html</link>
  <description>Russell just shared this Onion link with me, saying that it immediately made him think of me.  He assured me it was because of my general sense of humor and not any other reason. ;-P&lt;br /&gt;&lt;br /&gt;I am now passing it on to all of you for very much the same reason.  Really. :)&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.theonion.com/content/news_briefs/typo_in_proposition_8&quot;&gt;http://www.theonion.com/content/news_briefs/typo_in_proposition_8&lt;/a&gt;</description>
  <comments>http://pghkitten.livejournal.com/296488.html</comments>
  <category>unintentional homoeroticism</category>
  <category>random</category>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/295801.html</guid>
  <pubDate>Tue, 23 Dec 2008 03:58:59 GMT</pubDate>
  <title>A slippery, or perhaps spiky, slope</title>
  <link>http://pghkitten.livejournal.com/295801.html</link>
  <description>Eris is currently near the top of our (undecorated) [artificial] Yule tree, purring, crawling around inside the branches, and gnawing on the decorative pinecones.  She bites me every time I attempt to extricate her, which suggests to me that she is having a good time.&lt;br /&gt;&lt;br /&gt;I guess this officially means she&apos;s feeling better.&lt;br /&gt;&lt;br /&gt;I guess this also gives us another way Christmas Eve at our house could go hilariously wrong.&lt;br /&gt;&lt;br /&gt;*headdesk once again*</description>
  <comments>http://pghkitten.livejournal.com/295801.html</comments>
  <category>hail eris</category>
  <category>kittens</category>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>4</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/295350.html</guid>
  <pubDate>Mon, 22 Dec 2008 04:41:02 GMT</pubDate>
  <title>Joie</title>
  <link>http://pghkitten.livejournal.com/295350.html</link>
  <description>While the Longest Night is still going on, I wanted to wish everyone a blessed and merry Yule. :)</description>
  <comments>http://pghkitten.livejournal.com/295350.html</comments>
  <category>holiday</category>
  <lj:mood>cheerful</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>3</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://pghkitten.livejournal.com/238654.html</guid>
  <pubDate>Mon, 07 May 2007 19:23:45 GMT</pubDate>
  <title>On Not Biting Off More Than One Can Chew At Once</title>
  <link>http://pghkitten.livejournal.com/238654.html</link>
  <description>Okay...so several days ago I unveiled my ambitious plan to continue my lifelong education by reading every single piece of literature that could be considered a Great and Influential Text since the beginning of time.  This is obviously going to take a while, because there are a great many Great Works that I&apos;ve never read...hell, I only ever read &lt;i&gt;Hamlet&lt;/i&gt; for the very first time last week, and I expect it to take months or years for me to get through the ancient Mesopotamian and Greek canons alone.  So I&apos;m starting out a little less ambitiously, with the list that &lt;span class=&apos;ljuser  ljuser-name_vent22&apos; lj:user=&apos;vent22&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://vent22.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://l-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://vent22.livejournal.com/&apos;&gt;&lt;b&gt;vent22&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; posted a few weeks ago.  Or at least I&apos;m turning it into a meme and posting it on LJ with the ones I&apos;ve read marked, so I can see where I stand.  &lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;(Found here in original form: &lt;a href=&quot;http://www.listology.com/content_show.cfm/content_id.22845/Books&quot;&gt;http://www.listology.com/content_show.cfm/content_id.22845/Books&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Struck through if finished, italicized if begun/read too long ago to recall (i.e. in undergrad), and left alone if unread.&lt;br /&gt; &lt;br /&gt;2000s&lt;br /&gt;&lt;br /&gt;   1. Never Let Me Go – Kazuo Ishiguro&lt;br /&gt;   2. Saturday – Ian McEwan&lt;br /&gt;   3. On Beauty – Zadie Smith&lt;br /&gt;   4. Slow Man – J.M. Coetzee&lt;br /&gt;   5. Adjunct: An Undigest – Peter Manson&lt;br /&gt;   6. The Sea – John Banville&lt;br /&gt;   7. The Red Queen – Margaret Drabble&lt;br /&gt;   8. The Plot Against America – Philip Roth&lt;br /&gt;   9. The Master – Colm Tóibín&lt;br /&gt;  10. Vanishing Point – David Markson&lt;br /&gt;  11. The Lambs of London – Peter Ackroyd&lt;br /&gt;  12. Dining on Stones – Iain Sinclair&lt;br /&gt;  13. Cloud Atlas – David Mitchell&lt;br /&gt;  14. Drop City – T. Coraghessan Boyle&lt;br /&gt;  15. The Colour – Rose Tremain&lt;br /&gt;  16. Thursbitch – Alan Garner&lt;br /&gt;  17. The Light of Day – Graham Swift&lt;br /&gt;  18. What I Loved – Siri Hustvedt&lt;br /&gt;  19. The Curious Incident of the Dog in the Night-Time – Mark Haddon&lt;br /&gt;  20. Islands – Dan Sleigh&lt;br /&gt;  21. Elizabeth Costello – J.M. Coetzee&lt;br /&gt;  22. London Orbital – Iain Sinclair&lt;br /&gt;  23. Family Matters – Rohinton Mistry&lt;br /&gt;  24. Fingersmith – Sarah Waters&lt;br /&gt;  25. The Double – José Saramago&lt;br /&gt;  26. Everything is Illuminated – Jonathan Safran Foer&lt;br /&gt;  27. Unless – Carol Shields&lt;br /&gt;  28. Kafka on the Shore – Haruki Murakami&lt;br /&gt;  29. The Story of Lucy Gault – William Trevor&lt;br /&gt;  30. That They May Face the Rising Sun – John McGahern&lt;br /&gt;  31. In the Forest – Edna O’Brien&lt;br /&gt;  32. Shroud – John Banville&lt;br /&gt;  33. Middlesex – Jeffrey Eugenides&lt;br /&gt;  34. Youth – J.M. Coetzee&lt;br /&gt;  35. Dead Air – Iain Banks&lt;br /&gt;  36. Nowhere Man – Aleksandar Hemon&lt;br /&gt;  37. The Book of Illusions – Paul Auster&lt;br /&gt;  38. Gabriel’s Gift – Hanif Kureishi&lt;br /&gt;  39. Austerlitz – W.G. Sebald&lt;br /&gt;  40. Platform – Michael Houellebecq&lt;br /&gt;  41. Schooling – Heather McGowan&lt;br /&gt;  42. Atonement – Ian McEwan&lt;br /&gt;  43. The Corrections – Jonathan Franzen&lt;br /&gt;  44. Don’t Move – Margaret Mazzantini&lt;br /&gt;  45. The Body Artist – Don DeLillo&lt;br /&gt;  46. Fury – Salman Rushdie&lt;br /&gt;  47. At Swim, Two Boys – Jamie O’Neill&lt;br /&gt;  &lt;strike&gt;48. Choke – Chuck Palahniuk&lt;/strike&gt;&lt;br /&gt;  49. Life of Pi – Yann Martel&lt;br /&gt;  50. The Feast of the Goat – Mario Vargos Llosa&lt;br /&gt;  51. An Obedient Father – Akhil Sharma&lt;br /&gt;  52. The Devil and Miss Prym – Paulo Coelho&lt;br /&gt;  53. Spring Flowers, Spring Frost – Ismail Kadare&lt;br /&gt;  54. White Teeth – Zadie Smith&lt;br /&gt;  55. The Heart of Redness – Zakes Mda&lt;br /&gt;  56. Under the Skin – Michel Faber&lt;br /&gt;  57. Ignorance – Milan Kundera&lt;br /&gt;  58. Nineteen Seventy Seven – David Peace&lt;br /&gt;  59. Celestial Harmonies – Péter Esterházy&lt;br /&gt;  60. City of God – E.L. Doctorow&lt;br /&gt;  61. How the Dead Live – Will Self&lt;br /&gt;  62. The Human Stain – Philip Roth&lt;br /&gt;  &lt;strike&gt;63. The Blind Assassin – Margaret Atwood&lt;/strike&gt;&lt;br /&gt;  64. After the Quake – Haruki Murakami&lt;br /&gt;  65. Small Remedies – Shashi Deshpande&lt;br /&gt;  66. Super-Cannes – J.G. Ballard&lt;br /&gt;  67. House of Leaves – Mark Z. Danielewski&lt;br /&gt;  68. Blonde – Joyce Carol Oates&lt;br /&gt;  69. Pastoralia – George Saunders&lt;br /&gt;&lt;br /&gt;1900s&lt;br /&gt;&lt;br /&gt;  70. Timbuktu – Paul Auster&lt;br /&gt;  71. The Romantics – Pankaj Mishra&lt;br /&gt;  72. Cryptonomicon – Neal Stephenson&lt;br /&gt;  73. As If I Am Not There – Slavenka Drakuli?&lt;br /&gt;  74. Everything You Need – A.L. Kennedy&lt;br /&gt;  75. Fear and Trembling – Amélie Nothomb&lt;br /&gt;  76. The Ground Beneath Her Feet – Salman Rushdie&lt;br /&gt;  77. Disgrace – J.M. Coetzee&lt;br /&gt;  78. Sputnik Sweetheart – Haruki Murakami&lt;br /&gt;  79. Elementary Particles – Michel Houellebecq&lt;br /&gt;  80. Intimacy – Hanif Kureishi&lt;br /&gt;  81. Amsterdam – Ian McEwan&lt;br /&gt;  82. Cloudsplitter – Russell Banks&lt;br /&gt;  83. All Souls Day – Cees Nooteboom&lt;br /&gt;  84. The Talk of the Town – Ardal O’Hanlon&lt;br /&gt;  85. Tipping the Velvet – Sarah Waters&lt;br /&gt;  86. The Poisonwood Bible – Barbara Kingsolver&lt;br /&gt;  87. Glamorama – Bret Easton Ellis&lt;br /&gt;  88. Another World – Pat Barker&lt;br /&gt;  &lt;strike&gt;89. The Hours – Michael Cunningham&lt;/strike&gt;&lt;br /&gt;  90. Veronika Decides to Die – Paulo Coelho&lt;br /&gt;  91. Mason &amp; Dixon – Thomas Pynchon&lt;br /&gt;  92. The God of Small Things – Arundhati Roy&lt;br /&gt; &lt;strike&gt; 93. Memoirs of a Geisha – Arthur Golden&lt;/strike&gt;&lt;br /&gt;  94. Great Apes – Will Self&lt;br /&gt;  95. Enduring Love – Ian McEwan&lt;br /&gt;  96. Underworld – Don DeLillo&lt;br /&gt;  97. Jack Maggs – Peter Carey&lt;br /&gt;  98. The Life of Insects – Victor Pelevin&lt;br /&gt;  99. American Pastoral – Philip Roth&lt;br /&gt; 100. The Untouchable – John Banville&lt;br /&gt; 101. Silk – Alessandro Baricco&lt;br /&gt; 102. Cocaine Nights – J.G. Ballard&lt;br /&gt; 103. Hallucinating Foucault – Patricia Duncker&lt;br /&gt; 104. Fugitive Pieces – Anne Michaels&lt;br /&gt; 105. The Ghost Road – Pat Barker&lt;br /&gt; 106. Forever a Stranger – Hella Haasse&lt;br /&gt; 107. Infinite Jest – David Foster Wallace&lt;br /&gt; 108. The Clay Machine-Gun – Victor Pelevin&lt;br /&gt; 109. Alias Grace – Margaret Atwood&lt;br /&gt; 110. The Unconsoled – Kazuo Ishiguro&lt;br /&gt; 111. Morvern Callar – Alan Warner&lt;br /&gt; 112. The Information – Martin Amis&lt;br /&gt; 113. The Moor’s Last Sigh – Salman Rushdie&lt;br /&gt; 114. Sabbath’s Theater – Philip Roth&lt;br /&gt; 115. The Rings of Saturn – W.G. Sebald&lt;br /&gt; 116. The Reader – Bernhard Schlink&lt;br /&gt; 117. A Fine Balance – Rohinton Mistry&lt;br /&gt; 118. Love’s Work – Gillian Rose&lt;br /&gt; 119. The End of the Story – Lydia Davis&lt;br /&gt; 120. Mr. Vertigo – Paul Auster&lt;br /&gt; 121. The Folding Star – Alan Hollinghurst&lt;br /&gt; 122. Whatever – Michel Houellebecq&lt;br /&gt; 123. Land – Park Kyong-ni&lt;br /&gt; 124. The Master of Petersburg – J.M. Coetzee&lt;br /&gt; 125. The Wind-Up Bird Chronicle – Haruki Murakami&lt;br /&gt; 126. Pereira Declares: A Testimony – Antonio Tabucchi&lt;br /&gt; 127. City Sister Silver – Jàchym Topol&lt;br /&gt; 128. How Late It Was, How Late – James Kelman&lt;br /&gt; 129. Captain Corelli’s Mandolin – Louis de Bernieres&lt;br /&gt; 130. Felicia’s Journey – William Trevor&lt;br /&gt; 131. Disappearance – David Dabydeen&lt;br /&gt; 132. The Invention of Curried Sausage – Uwe Timm&lt;br /&gt; 133. The Shipping News – E. Annie Proulx&lt;br /&gt; &lt;i&gt;134. Trainspotting – Irvine Welsh&lt;/i&gt;&lt;br /&gt; 135. Birdsong – Sebastian Faulks&lt;br /&gt; 136. Looking for the Possible Dance – A.L. Kennedy&lt;br /&gt; 137. Operation Shylock – Philip Roth&lt;br /&gt; 138. Complicity – Iain Banks&lt;br /&gt; 139. On Love – Alain de Botton&lt;br /&gt; 140. What a Carve Up! – Jonathan Coe&lt;br /&gt; 141. A Suitable Boy – Vikram Seth&lt;br /&gt; 142. The Stone Diaries – Carol Shields&lt;br /&gt; &lt;strike&gt;143. The Virgin Suicides – Jeffrey Eugenides&lt;/strike&gt;&lt;br /&gt; 144. The House of Doctor Dee – Peter Ackroyd&lt;br /&gt; &lt;i&gt;145. The Robber Bride – Margaret Atwood&lt;/i&gt;&lt;br /&gt; 146. The Emigrants – W.G. Sebald&lt;br /&gt; 147. The Secret History – Donna Tartt&lt;br /&gt; 148. Life is a Caravanserai – Emine Özdamar&lt;br /&gt; 149. The Discovery of Heaven – Harry Mulisch&lt;br /&gt; 150. A Heart So White – Javier Marias&lt;br /&gt; 151. Possessing the Secret of Joy – Alice Walker&lt;br /&gt; 152. Indigo – Marina Warner&lt;br /&gt; 153. The Crow Road – Iain Banks&lt;br /&gt; 154. Written on the Body – Jeanette Winterson&lt;br /&gt; 155. Jazz – Toni Morrison&lt;br /&gt; &lt;i&gt;156. The English Patient – Michael Ondaatje&lt;/i&gt;&lt;br /&gt; 157. Smilla’s Sense of Snow – Peter Høeg&lt;br /&gt; 158. The Butcher Boy – Patrick McCabe&lt;br /&gt; 159. Black Water – Joyce Carol Oates&lt;br /&gt; 160. The Heather Blazing – Colm Tóibín&lt;br /&gt; 161. Asphodel – H.D. (Hilda Doolittle)&lt;br /&gt; 162. Black Dogs – Ian McEwan&lt;br /&gt; 163. Hideous Kinky – Esther Freud&lt;br /&gt; 164. Arcadia – Jim Crace&lt;br /&gt; 165. Wild Swans – Jung Chang&lt;br /&gt; 166. American Psycho – Bret Easton Ellis&lt;br /&gt; 167. Time’s Arrow – Martin Amis&lt;br /&gt; 168. Mao II – Don DeLillo&lt;br /&gt; 169. Typical – Padgett Powell&lt;br /&gt; 170. Regeneration – Pat Barker&lt;br /&gt; 171. Downriver – Iain Sinclair&lt;br /&gt; 172. Señor Vivo and the Coca Lord – Louis de Bernieres&lt;br /&gt; 173. Wise Children – Angela Carter&lt;br /&gt; 174. Get Shorty – Elmore Leonard&lt;br /&gt; 175. Amongst Women – John McGahern&lt;br /&gt; 176. Vineland – Thomas Pynchon&lt;br /&gt; 177. Vertigo – W.G. Sebald&lt;br /&gt; 178. Stone Junction – Jim Dodge&lt;br /&gt; 179. The Music of Chance – Paul Auster&lt;br /&gt; 180. The Things They Carried – Tim O’Brien&lt;br /&gt; 181. A Home at the End of the World – Michael Cunningham&lt;br /&gt; 182. Like Life – Lorrie Moore&lt;br /&gt; 183. Possession – A.S. Byatt&lt;br /&gt; 184. The Buddha of Suburbia – Hanif Kureishi&lt;br /&gt; 185. The Midnight Examiner – William Kotzwinkle&lt;br /&gt; 186. A Disaffection – James Kelman&lt;br /&gt; 187. Sexing the Cherry – Jeanette Winterson&lt;br /&gt; 188. Moon Palace – Paul Auster&lt;br /&gt; 189. Billy Bathgate – E.L. Doctorow&lt;br /&gt; 190. Remains of the Day – Kazuo Ishiguro&lt;br /&gt; 191. The Melancholy of Resistance – László Krasznahorkai&lt;br /&gt; 192. The Temple of My Familiar – Alice Walker&lt;br /&gt; 193. The Trick is to Keep Breathing – Janice Galloway&lt;br /&gt; 194. The History of the Siege of Lisbon – José Saramago&lt;br /&gt; 195. Like Water for Chocolate – Laura Esquivel&lt;br /&gt; 196. A Prayer for Owen Meany – John Irving&lt;br /&gt; 197. London Fields – Martin Amis&lt;br /&gt; 198. The Book of Evidence – John Banville&lt;br /&gt; 199. Cat’s Eye – Margaret Atwood&lt;br /&gt; 200. Foucault’s Pendulum – Umberto Eco&lt;br /&gt; 201. The Beautiful Room is Empty – Edmund White&lt;br /&gt; 202. Wittgenstein’s Mistress – David Markson&lt;br /&gt; 203. The Satanic Verses – Salman Rushdie&lt;br /&gt; 204. The Swimming-Pool Library – Alan Hollinghurst&lt;br /&gt; 205. Oscar and Lucinda – Peter Carey&lt;br /&gt; 206. Libra – Don DeLillo&lt;br /&gt; 207. The Player of Games – Iain M. Banks&lt;br /&gt; 208. Nervous Conditions – Tsitsi Dangarembga&lt;br /&gt; &lt;strike&gt;209. The Long Dark Teatime of the Soul – Douglas Adams&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;210. Dirk Gently’s Holistic Detective Agency – Douglas Adams&lt;/strike&gt;&lt;br /&gt; 211. The Radiant Way – Margaret Drabble&lt;br /&gt; 212. The Afternoon of a Writer – Peter Handke&lt;br /&gt; 213. The Black Dahlia – James Ellroy&lt;br /&gt; 214. The Passion – Jeanette Winterson&lt;br /&gt; 215. The Pigeon – Patrick Süskind&lt;br /&gt; 216. The Child in Time – Ian McEwan&lt;br /&gt; 217. Cigarettes – Harry Mathews&lt;br /&gt; 218. The Bonfire of the Vanities – Tom Wolfe&lt;br /&gt; 219. The New York Trilogy – Paul Auster&lt;br /&gt; 220. World’s End – T. Coraghessan Boyle&lt;br /&gt; 221. Enigma of Arrival – V.S. Naipaul&lt;br /&gt; 222. The Taebek Mountains – Jo Jung-rae&lt;br /&gt; 223. Beloved – Toni Morrison&lt;br /&gt; 224. Anagrams – Lorrie Moore&lt;br /&gt; 225. Matigari – Ngugi Wa Thiong’o&lt;br /&gt; 226. Marya – Joyce Carol Oates&lt;br /&gt; 227. Watchmen – Alan Moore &amp; David Gibbons&lt;br /&gt; 228. The Old Devils – Kingsley Amis&lt;br /&gt; 229. Lost Language of Cranes – David Leavitt&lt;br /&gt; 230. An Artist of the Floating World – Kazuo Ishiguro&lt;br /&gt; 231. Extinction – Thomas Bernhard&lt;br /&gt; 232. Foe – J.M. Coetzee&lt;br /&gt; 233. The Drowned and the Saved – Primo Levi&lt;br /&gt; 234. Reasons to Live – Amy Hempel&lt;br /&gt; 235. The Parable of the Blind – Gert Hofmann&lt;br /&gt; 236. Love in the Time of Cholera – Gabriel García Márquez&lt;br /&gt; 237. Oranges Are Not the Only Fruit – Jeanette Winterson&lt;br /&gt; 238. The Cider House Rules – John Irving&lt;br /&gt; 239. A Maggot – John Fowles&lt;br /&gt; 240. Less Than Zero – Bret Easton Ellis&lt;br /&gt; 241. Contact – Carl Sagan&lt;br /&gt; &lt;strike&gt;242. The Handmaid’s Tale – Margaret Atwood&lt;/strike&gt;&lt;br /&gt; 243. Perfume – Patrick Süskind&lt;br /&gt; 244. Old Masters – Thomas Bernhard&lt;br /&gt;&lt;i&gt; 245. White Noise – Don DeLillo&lt;/i&gt;&lt;br /&gt; 246. Queer – William Burroughs&lt;br /&gt; 247. Hawksmoor – Peter Ackroyd&lt;br /&gt; 248. Legend – David Gemmell&lt;br /&gt; 249. Dictionary of the Khazars – Milorad Pavi?&lt;br /&gt; 250. The Bus Conductor Hines – James Kelman&lt;br /&gt; 251. The Year of the Death of Ricardo Reis – José Saramago&lt;br /&gt; 252. The Lover – Marguerite Duras&lt;br /&gt; 253. Empire of the Sun – J.G. Ballard&lt;br /&gt; 254. The Wasp Factory – Iain Banks&lt;br /&gt; 255. Nights at the Circus – Angela Carter&lt;br /&gt; 256. The Unbearable Lightness of Being – Milan Kundera&lt;br /&gt; 257. Blood and Guts in High School – Kathy Acker&lt;br /&gt; &lt;i&gt;258. Neuromancer – William Gibson&lt;/i&gt;&lt;br /&gt; 259. Flaubert’s Parrot – Julian Barnes&lt;br /&gt; 260. Money: A Suicide Note – Martin Amis&lt;br /&gt; 261. Shame – Salman Rushdie&lt;br /&gt; 262. Worstward Ho – Samuel Beckett&lt;br /&gt; 263. Fools of Fortune – William Trevor&lt;br /&gt; 264. La Brava – Elmore Leonard&lt;br /&gt; 265. Waterland – Graham Swift&lt;br /&gt; 266. The Life and Times of Michael K – J.M. Coetzee&lt;br /&gt; 267. The Diary of Jane Somers – Doris Lessing&lt;br /&gt; 268. The Piano Teacher – Elfriede Jelinek&lt;br /&gt; 269. The Sorrow of Belgium – Hugo Claus&lt;br /&gt; 270. If Not Now, When? – Primo Levi&lt;br /&gt; 271. A Boy’s Own Story – Edmund White&lt;br /&gt; &lt;strike&gt;272. The Color Purple – Alice Walker&lt;/strike&gt;&lt;br /&gt; 273. Wittgenstein’s Nephew – Thomas Bernhard&lt;br /&gt; 274. A Pale View of Hills – Kazuo Ishiguro&lt;br /&gt; 275. Schindler’s Ark – Thomas Keneally&lt;br /&gt; 276. The House of the Spirits – Isabel Allende&lt;br /&gt; 277. The Newton Letter – John Banville&lt;br /&gt; 278. On the Black Hill – Bruce Chatwin&lt;br /&gt; 279. Concrete – Thomas Bernhard&lt;br /&gt; 280. The Names – Don DeLillo&lt;br /&gt; 281. Rabbit is Rich – John Updike&lt;br /&gt; 282. Lanark: A Life in Four Books – Alasdair Gray&lt;br /&gt; 283. The Comfort of Strangers – Ian McEwan&lt;br /&gt; 284. July’s People – Nadine Gordimer&lt;br /&gt; 285. Summer in Baden-Baden – Leonid Tsypkin&lt;br /&gt; 286. Broken April – Ismail Kadare&lt;br /&gt; 287. Waiting for the Barbarians – J.M. Coetzee&lt;br /&gt; 288. Midnight’s Children – Salman Rushdie&lt;br /&gt; 289. Rites of Passage – William Golding&lt;br /&gt; 290. Rituals – Cees Nooteboom&lt;br /&gt; 291. Confederacy of Dunces – John Kennedy Toole&lt;br /&gt; 292. City Primeval – Elmore Leonard&lt;br /&gt; 293. The Name of the Rose – Umberto Eco&lt;br /&gt; 294. The Book of Laughter and Forgetting – Milan Kundera&lt;br /&gt; 295. Smiley’s People – John Le Carré&lt;br /&gt; 296. Shikasta – Doris Lessing&lt;br /&gt; 297. A Bend in the River – V.S. Naipaul&lt;br /&gt; 298. Burger’s Daughter - Nadine Gordimer&lt;br /&gt; 299. The Safety Net – Heinrich Böll&lt;br /&gt; 300. If On a Winter’s Night a Traveler – Italo Calvino&lt;br /&gt; &lt;strike&gt;301. The Hitchhiker’s Guide to the Galaxy – Douglas Adams&lt;/strike&gt;&lt;br /&gt; 302. The Cement Garden – Ian McEwan&lt;br /&gt; 303. The World According to Garp – John Irving&lt;br /&gt; 304. Life: A User’s Manual – Georges Perec&lt;br /&gt; 305. The Sea, The Sea – Iris Murdoch&lt;br /&gt; 306. The Singapore Grip – J.G. Farrell&lt;br /&gt; 307. Yes – Thomas Bernhard&lt;br /&gt; 308. The Virgin in the Garden – A.S. Byatt&lt;br /&gt; 309. In the Heart of the Country – J.M. Coetzee&lt;br /&gt; 310. The Passion of New Eve – Angela Carter&lt;br /&gt; 311. Delta of Venus – Anaïs Nin&lt;br /&gt; &lt;strike&gt;312. The Shining – Stephen King&lt;/strike&gt;&lt;br /&gt; 313. Dispatches – Michael Herr&lt;br /&gt; 314. Petals of Blood – Ngugi Wa Thiong’o&lt;br /&gt; 315. Song of Solomon – Toni Morrison&lt;br /&gt; 316. The Hour of the Star – Clarice Lispector&lt;br /&gt; 317. The Left-Handed Woman – Peter Handke&lt;br /&gt; 318. Ratner’s Star – Don DeLillo&lt;br /&gt; 319. The Public Burning – Robert Coover&lt;br /&gt; &lt;strike&gt;320. Interview With the Vampire – Anne Rice&lt;/strike&gt;&lt;br /&gt; 321. Cutter and Bone – Newton Thornburg&lt;br /&gt; 322. Amateurs – Donald Barthelme&lt;br /&gt; 323. Patterns of Childhood – Christa Wolf&lt;br /&gt; 324. Autumn of the Patriarch – Gabriel García Márquez&lt;br /&gt; 325. W, or the Memory of Childhood – Georges Perec&lt;br /&gt; 326. A Dance to the Music of Time – Anthony Powell&lt;br /&gt; 327. Grimus – Salman Rushdie&lt;br /&gt; 328. The Dead Father – Donald Barthelme&lt;br /&gt; 329. Fateless – Imre Kertész&lt;br /&gt; 330. Willard and His Bowling Trophies – Richard Brautigan&lt;br /&gt; 331. High Rise – J.G. Ballard&lt;br /&gt; 332. Humboldt’s Gift – Saul Bellow&lt;br /&gt; 333. Dead Babies – Martin Amis&lt;br /&gt; 334. Correction – Thomas Bernhard&lt;br /&gt; 335. Ragtime – E.L. Doctorow&lt;br /&gt; 336. The Fan Man – William Kotzwinkle&lt;br /&gt; 337. Dusklands – J.M. Coetzee&lt;br /&gt; 338. The Lost Honor of Katharina Blum – Heinrich Böll&lt;br /&gt; 339. Tinker Tailor Soldier Spy – John Le Carré&lt;br /&gt; 340. Breakfast of Champions – Kurt Vonnegut, Jr.&lt;br /&gt; 341. Fear of Flying – Erica Jong&lt;br /&gt; 342. A Question of Power – Bessie Head&lt;br /&gt; 343. The Siege of Krishnapur – J.G. Farrell&lt;br /&gt; 344. The Castle of Crossed Destinies – Italo Calvino&lt;br /&gt; 345. Crash – J.G. Ballard&lt;br /&gt; 346. The Honorary Consul – Graham Greene&lt;br /&gt; 347. Gravity’s Rainbow – Thomas Pynchon&lt;br /&gt; 348. The Black Prince – Iris Murdoch&lt;br /&gt; &lt;strike&gt;349. Sula – Toni Morrison&lt;/strike&gt;&lt;br /&gt; 350. Invisible Cities – Italo Calvino&lt;br /&gt; 351. The Breast – Philip Roth&lt;br /&gt; 352. The Summer Book – Tove Jansson&lt;br /&gt; 353. G – John Berger&lt;br /&gt; 354. Surfacing – Margaret Atwood&lt;br /&gt; 355. House Mother Normal – B.S. Johnson&lt;br /&gt; 356. In A Free State – V.S. Naipaul&lt;br /&gt; 357. The Book of Daniel – E.L. Doctorow&lt;br /&gt; &lt;strike&gt;358. Fear and Loathing in Las Vegas – Hunter S. Thompson&lt;/strike&gt;&lt;br /&gt; 359. Group Portrait With Lady – Heinrich Böll&lt;br /&gt; 360. The Wild Boys – William Burroughs&lt;br /&gt; 361. Rabbit Redux – John Updike&lt;br /&gt; 362. The Sea of Fertility – Yukio Mishima&lt;br /&gt; 363. The Driver’s Seat – Muriel Spark&lt;br /&gt; 364. The Ogre – Michael Tournier&lt;br /&gt; 365. The Bluest Eye – Toni Morrison&lt;br /&gt; 366. Goalie’s Anxiety at the Penalty Kick – Peter Handke&lt;br /&gt; &lt;i&gt;367. I Know Why the Caged Bird Sings – Maya Angelou&lt;/i&gt;&lt;br /&gt; 368. Mercier et Camier – Samuel Beckett&lt;br /&gt; 369. Troubles – J.G. Farrell&lt;br /&gt; 370. Jahrestage – Uwe Johnson&lt;br /&gt; 371. The Atrocity Exhibition – J.G. Ballard&lt;br /&gt; 372. Tent of Miracles – Jorge Amado&lt;br /&gt; 373. Pricksongs and Descants – Robert Coover&lt;br /&gt; 374. Blind Man With a Pistol – Chester Hines&lt;br /&gt; &lt;strike&gt;375. Slaughterhouse-five – Kurt Vonnegut, Jr.&lt;/strike&gt;&lt;br /&gt;&lt;strike&gt; 376. The French Lieutenant’s Woman – John Fowles&lt;/strike&gt;&lt;br /&gt; 377. The Green Man – Kingsley Amis&lt;br /&gt; 378. Portnoy’s Complaint – Philip Roth&lt;br /&gt; 379. The Godfather – Mario Puzo&lt;br /&gt; 380. Ada – Vladimir Nabokov&lt;br /&gt; 381. Them – Joyce Carol Oates&lt;br /&gt; 382. A Void/Avoid – Georges Perec&lt;br /&gt; 383. Eva Trout – Elizabeth Bowen&lt;br /&gt; 384. Myra Breckinridge – Gore Vidal&lt;br /&gt; 385. The Nice and the Good – Iris Murdoch&lt;br /&gt; 386. Belle du Seigneur – Albert Cohen&lt;br /&gt; 387. Cancer Ward – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; 388. The First Circle – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; &lt;strike&gt;389. 2001: A Space Odyssey – Arthur C. Clarke&lt;/strike&gt;&lt;br /&gt; 390. Do Androids Dream of Electric Sheep? – Philip K. Dick&lt;br /&gt; 391. Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry&lt;br /&gt; 392. The German Lesson – Siegfried Lenz&lt;br /&gt; 393. In Watermelon Sugar – Richard Brautigan&lt;br /&gt; 394. A Kestrel for a Knave – Barry Hines&lt;br /&gt; 395. The Quest for Christa T. – Christa Wolf&lt;br /&gt; 396. Chocky – John Wyndham&lt;br /&gt; &lt;i&gt;397. The Electric Kool-Aid Acid Test – Tom Wolfe&lt;/i&gt;&lt;br /&gt; 398. The Cubs and Other Stories – Mario Vargas Llosa&lt;br /&gt; 399. One Hundred Years of Solitude - Gabriel García Márquez&lt;br /&gt; 400. The Master and Margarita – Mikhail Bulgakov&lt;br /&gt; 401. Pilgrimage – Dorothy Richardson&lt;br /&gt; 402. The Joke – Milan Kundera&lt;br /&gt; 403. No Laughing Matter – Angus Wilson&lt;br /&gt; 404. The Third Policeman – Flann O’Brien&lt;br /&gt; 405. A Man Asleep – Georges Perec&lt;br /&gt; 406. The Birds Fall Down – Rebecca West&lt;br /&gt; 407. Trawl – B.S. Johnson&lt;br /&gt; 408. In Cold Blood – Truman Capote&lt;br /&gt; 409. The Magus – John Fowles&lt;br /&gt; 410. The Vice-Consul – Marguerite Duras&lt;br /&gt; 411. Wide Sargasso Sea – Jean Rhys&lt;br /&gt; 412. Giles Goat-Boy – John Barth&lt;br /&gt; &lt;strike&gt;413. The Crying of Lot 49 – Thomas Pynchon&lt;/strike&gt;&lt;br /&gt; 414. Things – Georges Perec&lt;br /&gt; 415. The River Between – Ngugi wa Thiong’o&lt;br /&gt; 416. August is a Wicked Month – Edna O’Brien&lt;br /&gt; 417. God Bless You, Mr. Rosewater – Kurt Vonnegut&lt;br /&gt; 418. Everything That Rises Must Converge – Flannery O’Connor&lt;br /&gt; 419. The Passion According to G.H. – Clarice Lispector&lt;br /&gt; &lt;strike&gt;420. Sometimes a Great Notion – Ken Kesey&lt;/strike&gt;&lt;br /&gt; 421. Come Back, Dr. Caligari – Donald Bartholme&lt;br /&gt; 422. Albert Angelo – B.S. Johnson&lt;br /&gt; 423. Arrow of God – Chinua Achebe&lt;br /&gt; 424. The Ravishing of Lol V. Stein – Marguerite Duras&lt;br /&gt; 425. Herzog – Saul Bellow&lt;br /&gt; 426. V. – Thomas Pynchon&lt;br /&gt; &lt;i&gt;427. Cat’s Cradle – Kurt Vonnegut&lt;/i&gt;&lt;br /&gt; 428. The Graduate – Charles Webb&lt;br /&gt; 429. Manon des Sources – Marcel Pagnol&lt;br /&gt; 430. The Spy Who Came in from the Cold – John Le Carré&lt;br /&gt; 431. The Girls of Slender Means – Muriel Spark&lt;br /&gt; 432. Inside Mr. Enderby – Anthony Burgess&lt;br /&gt; &lt;strike&gt;433. The Bell Jar – Sylvia Plath&lt;/strike&gt;&lt;br /&gt; 434. One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt; 435. The Collector – John Fowles&lt;br /&gt; &lt;strike&gt;436. One Flew Over the Cuckoo’s Nest – Ken Kesey&lt;/strike&gt;&lt;br /&gt; &lt;i&gt;437. A Clockwork Orange – Anthony Burgess&lt;/i&gt;&lt;br /&gt; 438. Pale Fire – Vladimir Nabokov&lt;br /&gt; 439. The Drowned World – J.G. Ballard&lt;br /&gt; 440. The Golden Notebook – Doris Lessing&lt;br /&gt; 441. Labyrinths – Jorg Luis Borges&lt;br /&gt; 442. Girl With Green Eyes – Edna O’Brien&lt;br /&gt; 443. The Garden of the Finzi-Continis – Giorgio Bassani&lt;br /&gt; &lt;strike&gt;444. Stranger in a Strange Land – Robert Heinlein&lt;/strike&gt;&lt;br /&gt; 445. Franny and Zooey – J.D. Salinger&lt;br /&gt; 446. A Severed Head – Iris Murdoch&lt;br /&gt; 447. Faces in the Water – Janet Frame&lt;br /&gt; 448. Solaris – Stanislaw Lem&lt;br /&gt; 449. Cat and Mouse – Günter Grass&lt;br /&gt; 450. The Prime of Miss Jean Brodie – Muriel Spark&lt;br /&gt; &lt;i&gt;451. Catch-22 – Joseph Heller&lt;/i&gt;&lt;br /&gt; 452. The Violent Bear it Away – Flannery O’Connor&lt;br /&gt; 453. How It Is – Samuel Beckett&lt;br /&gt; 454. Our Ancestors – Italo Calvino&lt;br /&gt; &lt;strike&gt;455. The Country Girls – Edna O’Brien&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;456. To Kill a Mockingbird – Harper Lee&lt;/strike&gt;&lt;br /&gt; 457. Rabbit, Run – John Updike&lt;br /&gt; 458. Promise at Dawn – Romain Gary&lt;br /&gt; 459. Cider With Rosie – Laurie Lee&lt;br /&gt; 460. Billy Liar – Keith Waterhouse&lt;br /&gt; 461. Naked Lunch – William Burroughs&lt;br /&gt; 462. The Tin Drum – Günter Grass&lt;br /&gt; 463. Absolute Beginners – Colin MacInnes&lt;br /&gt; 464. Henderson the Rain King – Saul Bellow&lt;br /&gt; 465. Memento Mori – Muriel Spark&lt;br /&gt; 466. Billiards at Half-Past Nine – Heinrich Böll&lt;br /&gt; &lt;strike&gt;467. Breakfast at Tiffany’s – Truman Capote&lt;/strike&gt;&lt;br /&gt; 468. The Leopard – Giuseppe Tomasi di Lampedusa&lt;br /&gt; 469. Pluck the Bud and Destroy the Offspring – Kenzaburo Oe&lt;br /&gt; 470. A Town Like Alice – Nevil Shute&lt;br /&gt; 471. The Bitter Glass – Eilís Dillon&lt;br /&gt; &lt;i&gt;472. Things Fall Apart – Chinua Achebe&lt;/i&gt;&lt;br /&gt; 473. Saturday Night and Sunday Morning – Alan Sillitoe&lt;br /&gt; 474. Mrs. ‘Arris Goes to Paris – Paul Gallico&lt;br /&gt; 475. Borstal Boy – Brendan Behan&lt;br /&gt; 476. The End of the Road – John Barth&lt;br /&gt; &lt;i&gt;477. The Once and Future King – T.H. White&lt;/i&gt;&lt;br /&gt; 478. The Bell – Iris Murdoch&lt;br /&gt; 479. Jealousy – Alain Robbe-Grillet&lt;br /&gt; 480. Voss – Patrick White&lt;br /&gt; 481. The Midwich Cuckoos – John Wyndham&lt;br /&gt; 482. Blue Noon – Georges Bataille&lt;br /&gt; 483. Homo Faber – Max Frisch&lt;br /&gt; 484. On the Road – Jack Kerouac&lt;br /&gt; 485. Pnin – Vladimir Nabokov&lt;br /&gt; 486. Doctor Zhivago – Boris Pasternak&lt;br /&gt; 487. The Wonderful “O” – James Thurber&lt;br /&gt; 488. Justine – Lawrence Durrell&lt;br /&gt; 489. Giovanni’s Room – James Baldwin&lt;br /&gt; 490. The Lonely Londoners – Sam Selvon&lt;br /&gt; 491. The Roots of Heaven – Romain Gary&lt;br /&gt; 492. Seize the Day – Saul Bellow&lt;br /&gt; 493. The Floating Opera – John Barth&lt;br /&gt; &lt;strike&gt;494. The Lord of the Rings – J.R.R. Tolkien&lt;/strike&gt;&lt;br /&gt; 495. The Talented Mr. Ripley – Patricia Highsmith&lt;br /&gt; 496. Lolita – Vladimir Nabokov&lt;br /&gt; 497. A World of Love – Elizabeth Bowen&lt;br /&gt; 498. The Trusting and the Maimed – James Plunkett&lt;br /&gt; 499. The Quiet American – Graham Greene&lt;br /&gt; 500. The Last Temptation of Christ – Nikos Kazantzákis&lt;br /&gt; 501. The Recognitions – William Gaddis&lt;br /&gt; 502. The Ragazzi – Pier Paulo Pasolini&lt;br /&gt; 503. Bonjour Tristesse – Françoise Sagan&lt;br /&gt; 504. I’m Not Stiller – Max Frisch&lt;br /&gt; 505. Self Condemned – Wyndham Lewis&lt;br /&gt; &lt;strike&gt;506. The Story of O – Pauline Réage&lt;/strike&gt;&lt;br /&gt; 507. A Ghost at Noon – Alberto Moravia&lt;br /&gt; &lt;strike&gt;508. Lord of the Flies – William Golding&lt;/strike&gt;&lt;br /&gt; 509. Under the Net – Iris Murdoch&lt;br /&gt; 510. The Go-Between – L.P. Hartley&lt;br /&gt; 511. The Long Goodbye – Raymond Chandler&lt;br /&gt; 512. The Unnamable – Samuel Beckett&lt;br /&gt; 513. Watt – Samuel Beckett&lt;br /&gt; 514. Lucky Jim – Kingsley Amis&lt;br /&gt; 515. Junkie – William Burroughs&lt;br /&gt; 516. The Adventures of Augie March – Saul Bellow&lt;br /&gt; 517. Go Tell It on the Mountain – James Baldwin&lt;br /&gt; &lt;strike&gt;518. Casino Royale – Ian Fleming&lt;/strike&gt;&lt;br /&gt; 519. The Judge and His Hangman – Friedrich Dürrenmatt&lt;br /&gt; 520. Invisible Man – Ralph Ellison&lt;br /&gt; &lt;i&gt;521. The Old Man and the Sea – Ernest Hemingway&lt;/i&gt;&lt;br /&gt; 522. Wise Blood – Flannery O’Connor&lt;br /&gt; 523. The Killer Inside Me – Jim Thompson&lt;br /&gt; 524. Memoirs of Hadrian – Marguerite Yourcenar&lt;br /&gt; 525. Malone Dies – Samuel Beckett&lt;br /&gt; 526. Day of the Triffids – John Wyndham&lt;br /&gt; &lt;i&gt;527. Foundation – Isaac Asimov&lt;/i&gt;&lt;br /&gt; 528. The Opposing Shore – Julien Gracq&lt;br /&gt; &lt;strike&gt;529. The Catcher in the Rye – J.D. Salinger&lt;/strike&gt;&lt;br /&gt; 530. The Rebel – Albert Camus&lt;br /&gt; 531. Molloy – Samuel Beckett&lt;br /&gt; 532. The End of the Affair – Graham Greene&lt;br /&gt; 533. The Abbot C – Georges Bataille&lt;br /&gt; 534. The Labyrinth of Solitude – Octavio Paz&lt;br /&gt; 535. The Third Man – Graham Greene&lt;br /&gt; 536. The 13 Clocks – James Thurber&lt;br /&gt; 537. Gormenghast – Mervyn Peake&lt;br /&gt; 538. The Grass is Singing – Doris Lessing&lt;br /&gt; &lt;strike&gt;539. I, Robot – Isaac Asimov&lt;/strike&gt;&lt;br /&gt; 540. The Moon and the Bonfires – Cesare Pavese&lt;br /&gt; 541. The Garden Where the Brass Band Played – Simon Vestdijk&lt;br /&gt; 542. Love in a Cold Climate – Nancy Mitford&lt;br /&gt; 543. The Case of Comrade Tulayev – Victor Serge&lt;br /&gt; 544. The Heat of the Day – Elizabeth Bowen&lt;br /&gt; 545. Kingdom of This World – Alejo Carpentier&lt;br /&gt; 546. The Man With the Golden Arm – Nelson Algren&lt;br /&gt; &lt;strike&gt;547. Nineteen Eighty-Four – George Orwell&lt;/strike&gt;&lt;br /&gt; 548. All About H. Hatterr – G.V. Desani&lt;br /&gt; 549. Disobedience – Alberto Moravia&lt;br /&gt; 550. Death Sentence – Maurice Blanchot&lt;br /&gt; 551. The Heart of the Matter – Graham Greene&lt;br /&gt; 552. Cry, the Beloved Country – Alan Paton&lt;br /&gt; 553. Doctor Faustus – Thomas Mann&lt;br /&gt; 554. The Victim – Saul Bellow&lt;br /&gt; 555. Exercises in Style – Raymond Queneau&lt;br /&gt; 556. If This Is a Man – Primo Levi&lt;br /&gt; 557. Under the Volcano – Malcolm Lowry&lt;br /&gt; 558. The Path to the Nest of Spiders – Italo Calvino&lt;br /&gt; &lt;strike&gt;559. The Plague – Albert Camus&lt;/strike&gt;&lt;br /&gt; 560. Back – Henry Green&lt;br /&gt; 561. Titus Groan – Mervyn Peake&lt;br /&gt; 562. The Bridge on the Drina – Ivo Andri?&lt;br /&gt; 563. Brideshead Revisited – Evelyn Waugh&lt;br /&gt; &lt;strike&gt;564. Animal Farm – George Orwell&lt;/strike&gt;&lt;br /&gt; 565. Cannery Row – John Steinbeck&lt;br /&gt; 566. The Pursuit of Love – Nancy Mitford&lt;br /&gt; 567. Loving – Henry Green&lt;br /&gt; 568. Arcanum 17 – André Breton&lt;br /&gt; 569. Christ Stopped at Eboli – Carlo Levi&lt;br /&gt; 570. The Razor’s Edge – William Somerset Maugham&lt;br /&gt; 571. Transit – Anna Seghers&lt;br /&gt; 572. Ficciones – Jorge Luis Borges&lt;br /&gt; 573. Dangling Man – Saul Bellow&lt;br /&gt; 574. The Little Prince – Antoine de Saint-Exupéry&lt;br /&gt; 575. Caught – Henry Green&lt;br /&gt; 576. The Glass Bead Game – Herman Hesse&lt;br /&gt; 577. Embers – Sandor Marai&lt;br /&gt; 578. Go Down, Moses – William Faulkner&lt;br /&gt; &lt;strike&gt;579. The Outsider – Albert Camus&lt;/strike&gt;&lt;br /&gt; 580. In Sicily – Elio Vittorini&lt;br /&gt; &lt;strike&gt;581. The Poor Mouth – Flann O’Brien&lt;/strike&gt;&lt;br /&gt; 582. The Living and the Dead – Patrick White&lt;br /&gt; 583. Hangover Square – Patrick Hamilton&lt;br /&gt; 584. Between the Acts – Virginia Woolf&lt;br /&gt; 585. The Hamlet – William Faulkner&lt;br /&gt; 586. Farewell My Lovely – Raymond Chandler&lt;br /&gt; 587. For Whom the Bell Tolls – Ernest Hemingway&lt;br /&gt; 588. Native Son – Richard Wright&lt;br /&gt; 589. The Power and the Glory – Graham Greene&lt;br /&gt; 590. The Tartar Steppe – Dino Buzzati&lt;br /&gt; 591. Party Going – Henry Green&lt;br /&gt; &lt;i&gt;592. The Grapes of Wrath – John Steinbeck&lt;/i&gt;&lt;br /&gt; 593. Finnegans Wake – James Joyce&lt;br /&gt; 594. At Swim-Two-Birds – Flann O’Brien&lt;br /&gt; 595. Coming Up for Air – George Orwell&lt;br /&gt; 596. Goodbye to Berlin – Christopher Isherwood&lt;br /&gt; 597. Tropic of Capricorn – Henry Miller&lt;br /&gt; 598. Good Morning, Midnight – Jean Rhys&lt;br /&gt; 599. The Big Sleep – Raymond Chandler&lt;br /&gt; 600. After the Death of Don Juan – Sylvie Townsend Warner&lt;br /&gt; 601. Miss Pettigrew Lives for a Day – Winifred Watson&lt;br /&gt; &lt;i&gt;602. Nausea – Jean-Paul Sartre&lt;/i&gt;&lt;br /&gt; &lt;i&gt;603. Rebecca – Daphne du Maurier&lt;/i&gt;&lt;br /&gt; 604. Cause for Alarm – Eric Ambler&lt;br /&gt; 605. Brighton Rock – Graham Greene&lt;br /&gt; 606. U.S.A. – John Dos Passos&lt;br /&gt; 607. Murphy – Samuel Beckett&lt;br /&gt; &lt;i&gt;608. Of Mice and Men – John Steinbeck&lt;/i&gt;&lt;br /&gt; 609. Their Eyes Were Watching God – Zora Neale Hurston&lt;br /&gt; &lt;strike&gt;610. The Hobbit – J.R.R. Tolkien&lt;/strike&gt;&lt;br /&gt; 611. The Years – Virginia Woolf&lt;br /&gt; 612. In Parenthesis – David Jones&lt;br /&gt; 613. The Revenge for Love – Wyndham Lewis&lt;br /&gt; 614. Out of Africa – Isak Dineson (Karen Blixen)&lt;br /&gt; 615. To Have and Have Not – Ernest Hemingway&lt;br /&gt; 616. Summer Will Show – Sylvia Townsend Warner&lt;br /&gt; 617. Eyeless in Gaza – Aldous Huxley&lt;br /&gt; 618. The Thinking Reed – Rebecca West&lt;br /&gt; &lt;strike&gt;619. Gone With the Wind – Margaret Mitchell&lt;/strike&gt;&lt;br /&gt; 620. Keep the Aspidistra Flying – George Orwell&lt;br /&gt; 621. Wild Harbour – Ian MacPherson&lt;br /&gt; 622. Absalom, Absalom! – William Faulkner&lt;br /&gt; 623. At the Mountains of Madness – H.P. Lovecraft&lt;br /&gt; 624. Nightwood – Djuna Barnes&lt;br /&gt; 625. Independent People – Halldór Laxness&lt;br /&gt; 626. Auto-da-Fé – Elias Canetti&lt;br /&gt; 627. The Last of Mr. Norris – Christopher Isherwood&lt;br /&gt; 628. They Shoot Horses, Don’t They? – Horace McCoy&lt;br /&gt; 629. The House in Paris – Elizabeth Bowen&lt;br /&gt; 630. England Made Me – Graham Greene&lt;br /&gt; 631. Burmese Days – George Orwell&lt;br /&gt; 632. The Nine Tailors – Dorothy L. Sayers&lt;br /&gt; 633. Threepenny Novel – Bertolt Brecht&lt;br /&gt; 634. Novel With Cocaine – M. Ageyev&lt;br /&gt; 635. The Postman Always Rings Twice – James M. Cain&lt;br /&gt; 636. Tropic of Cancer – Henry Miller&lt;br /&gt; 637. A Handful of Dust – Evelyn Waugh&lt;br /&gt; 638. Tender is the Night – F. Scott Fitzgerald&lt;br /&gt; 639. Thank You, Jeeves – P.G. Wodehouse&lt;br /&gt; 640. Call it Sleep – Henry Roth&lt;br /&gt; 641. Miss Lonelyhearts – Nathanael West&lt;br /&gt; 642. Murder Must Advertise – Dorothy L. Sayers&lt;br /&gt; 643. The Autobiography of Alice B. Toklas – Gertrude Stein&lt;br /&gt; 644. Testament of Youth – Vera Brittain&lt;br /&gt; 645. A Day Off – Storm Jameson&lt;br /&gt; 646. The Man Without Qualities – Robert Musil&lt;br /&gt; 647. A Scots Quair (Sunset Song) – Lewis Grassic Gibbon&lt;br /&gt; 648. Journey to the End of the Night – Louis-Ferdinand Céline&lt;br /&gt; &lt;i&gt;649. Brave New World – Aldous Huxley&lt;/i&gt;&lt;br /&gt; 650. Cold Comfort Farm – Stella Gibbons&lt;br /&gt; 651. To the North – Elizabeth Bowen&lt;br /&gt; 652. The Thin Man – Dashiell Hammett&lt;br /&gt; 653. The Radetzky March – Joseph Roth&lt;br /&gt; 654. The Waves – Virginia Woolf&lt;br /&gt; 655. The Glass Key – Dashiell Hammett&lt;br /&gt; 656. Cakes and Ale – W. Somerset Maugham&lt;br /&gt; 657. The Apes of God – Wyndham Lewis&lt;br /&gt; 658. Her Privates We – Frederic Manning&lt;br /&gt; 659. Vile Bodies – Evelyn Waugh&lt;br /&gt; 660. The Maltese Falcon – Dashiell Hammett&lt;br /&gt; 661. Hebdomeros – Giorgio de Chirico&lt;br /&gt; 662. Passing – Nella Larsen&lt;br /&gt; 663. A Farewell to Arms – Ernest Hemingway&lt;br /&gt; 664. Red Harvest – Dashiell Hammett&lt;br /&gt; 665. Living – Henry Green&lt;br /&gt; 666. The Time of Indifference – Alberto Moravia&lt;br /&gt; 667. All Quiet on the Western Front – Erich Maria Remarque&lt;br /&gt; 668. Berlin Alexanderplatz – Alfred Döblin&lt;br /&gt; 669. The Last September – Elizabeth Bowen&lt;br /&gt; 670. Harriet Hume – Rebecca West&lt;br /&gt; &lt;strike&gt;671. The Sound and the Fury – William Faulkner&lt;/strike&gt;&lt;br /&gt; 672. Les Enfants Terribles – Jean Cocteau&lt;br /&gt; 673. Look Homeward, Angel – Thomas Wolfe&lt;br /&gt; 674. Story of the Eye – Georges Bataille&lt;br /&gt; 675. Orlando – Virginia Woolf&lt;br /&gt; 676. Lady Chatterley’s Lover – D.H. Lawrence&lt;br /&gt; 677. The Well of Loneliness – Radclyffe Hall&lt;br /&gt; 678. The Childermass – Wyndham Lewis&lt;br /&gt; 679. Quartet – Jean Rhys&lt;br /&gt; 680. Decline and Fall – Evelyn Waugh&lt;br /&gt; 681. Quicksand – Nella Larsen&lt;br /&gt; 682. Parade’s End – Ford Madox Ford&lt;br /&gt; 683. Nadja – André Breton&lt;br /&gt; 684. Steppenwolf – Herman Hesse&lt;br /&gt; 685. Remembrance of Things Past – Marcel Proust&lt;br /&gt; 686. To The Lighthouse – Virginia Woolf&lt;br /&gt; 687. Tarka the Otter – Henry Williamson&lt;br /&gt; 688. Amerika – Franz Kafka&lt;br /&gt; 689. The Sun Also Rises – Ernest Hemingway&lt;br /&gt; 690. Blindness – Henry Green&lt;br /&gt; 691. The Castle – Franz Kafka&lt;br /&gt; 692. The Good Soldier Švejk – Jaroslav Hašek&lt;br /&gt; 693. The Plumed Serpent – D.H. Lawrence&lt;br /&gt; 694. One, None and a Hundred Thousand – Luigi Pirandello&lt;br /&gt; 695. The Murder of Roger Ackroyd – Agatha Christie&lt;br /&gt; 696. The Making of Americans – Gertrude Stein&lt;br /&gt; 697. Manhattan Transfer – John Dos Passos&lt;br /&gt; &lt;strike&gt;698. Mrs. Dalloway – Virginia Woolf&lt;/strike&gt;&lt;br /&gt; 699. The Great Gatsby – F. Scott Fitzgerald&lt;br /&gt; 700. The Counterfeiters – André Gide&lt;br /&gt; 701. The Trial – Franz Kafka&lt;br /&gt; 702. The Artamonov Business – Maxim Gorky&lt;br /&gt; 703. The Professor’s House – Willa Cather&lt;br /&gt; &lt;strike&gt;704. Billy Budd, Foretopman – Herman Melville&lt;/strike&gt;&lt;br /&gt; 705. The Green Hat – Michael Arlen&lt;br /&gt; 706. The Magic Mountain – Thomas Mann&lt;br /&gt; 707. We – Yevgeny Zamyatin&lt;br /&gt; 708. A Passage to India – E.M. Forster&lt;br /&gt; 709. The Devil in the Flesh – Raymond Radiguet&lt;br /&gt; 710. Zeno’s Conscience – Italo Svevo&lt;br /&gt; 711. Cane – Jean Toomer&lt;br /&gt; 712. Antic Hay – Aldous Huxley&lt;br /&gt; 713. Amok – Stefan Zweig&lt;br /&gt; 714. The Garden Party – Katherine Mansfield&lt;br /&gt; 715. The Enormous Room – E.E. Cummings&lt;br /&gt; 716. Jacob’s Room – Virginia Woolf&lt;br /&gt; 717. Siddhartha – Herman Hesse&lt;br /&gt; 718. The Glimpses of the Moon – Edith Wharton&lt;br /&gt; 719. Life and Death of Harriett Frean – May Sinclair&lt;br /&gt; 720. The Last Days of Humanity – Karl Kraus&lt;br /&gt; 721. Aaron’s Rod – D.H. Lawrence&lt;br /&gt; 722. Babbitt – Sinclair Lewis&lt;br /&gt; 723. Ulysses – James Joyce&lt;br /&gt; 724. The Fox – D.H. Lawrence&lt;br /&gt; 725. Crome Yellow – Aldous Huxley&lt;br /&gt; 726. The Age of Innocence – Edith Wharton&lt;br /&gt; 727. Main Street – Sinclair Lewis&lt;br /&gt; 728. Women in Love – D.H. Lawrence&lt;br /&gt; 729. Night and Day – Virginia Woolf&lt;br /&gt; 730. Tarr – Wyndham Lewis&lt;br /&gt; 731. The Return of the Soldier – Rebecca West&lt;br /&gt; 732. The Shadow Line – Joseph Conrad&lt;br /&gt; 733. Summer – Edith Wharton&lt;br /&gt; 734. Growth of the Soil – Knut Hamsen&lt;br /&gt; 735. Bunner Sisters – Edith Wharton&lt;br /&gt; &lt;strike&gt;736. A Portrait of the Artist as a Young Man – James Joyce&lt;/strike&gt;&lt;br /&gt; 737. Under Fire – Henri Barbusse&lt;br /&gt; 738. Rashomon – Akutagawa Ryunosuke&lt;br /&gt; 739. The Good Soldier – Ford Madox Ford&lt;br /&gt; 740. The Voyage Out – Virginia Woolf&lt;br /&gt; 741. Of Human Bondage – William Somerset Maugham&lt;br /&gt; 742. The Rainbow – D.H. Lawrence&lt;br /&gt; 743. The Thirty-Nine Steps – John Buchan&lt;br /&gt; 744. Kokoro – Natsume Soseki&lt;br /&gt; 745. Locus Solus – Raymond Roussel&lt;br /&gt; 746. Rosshalde – Herman Hesse&lt;br /&gt; 747. Tarzan of the Apes – Edgar Rice Burroughs&lt;br /&gt; 748. The Ragged Trousered Philanthropists – Robert Tressell&lt;br /&gt; 749. Sons and Lovers – D.H. Lawrence&lt;br /&gt; &lt;i&gt;750. Death in Venice – Thomas Mann&lt;/i&gt;&lt;br /&gt; 751. The Charwoman’s Daughter – James Stephens&lt;br /&gt; &lt;strike&gt;752. Ethan Frome – Edith Wharton&lt;/strike&gt;&lt;br /&gt; 753. Fantômas – Marcel Allain and Pierre Souvestre&lt;br /&gt; 754. Howards End – E.M. Forster&lt;br /&gt; 755. Impressions of Africa – Raymond Roussel&lt;br /&gt; &lt;i&gt;756. Three Lives – Gertrude Stein&lt;/i&gt;&lt;br /&gt; 757. Martin Eden – Jack London&lt;br /&gt; 758. Strait is the Gate – André Gide&lt;br /&gt; 759. Tono-Bungay – H.G. Wells&lt;br /&gt; 760. The Inferno – Henri Barbusse&lt;br /&gt; 761. A Room With a View – E.M. Forster&lt;br /&gt; &lt;strike&gt;762. The Iron Heel – Jack London&lt;/strike&gt;&lt;br /&gt; 763. The Old Wives’ Tale – Arnold Bennett&lt;br /&gt; 764. The House on the Borderland – William Hope Hodgson&lt;br /&gt; 765. Mother – Maxim Gorky&lt;br /&gt; 766. The Secret Agent – Joseph Conrad&lt;br /&gt; 767. The Jungle – Upton Sinclair&lt;br /&gt; 768. Young Törless – Robert Musil&lt;br /&gt; 769. The Forsyte Sage – John Galsworthy&lt;br /&gt; 770. The House of Mirth – Edith Wharton&lt;br /&gt; 771. Professor Unrat – Heinrich Mann&lt;br /&gt; 772. Where Angels Fear to Tread – E.M. Forster&lt;br /&gt; 773. Nostromo – Joseph Conrad&lt;br /&gt; 774. Hadrian the Seventh – Frederick Rolfe&lt;br /&gt; 775. The Golden Bowl – Henry James&lt;br /&gt; 776. The Ambassadors – Henry James&lt;br /&gt; 777. The Riddle of the Sands – Erskine Childers&lt;br /&gt; 778. The Immoralist – André Gide&lt;br /&gt; 779. The Wings of the Dove – Henry James&lt;br /&gt; &lt;strike&gt;780. Heart of Darkness – Joseph Conrad&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;781. The Hound of the Baskervilles – Sir Arthur Conan Doyle&lt;/strike&gt;&lt;br /&gt; 782. Buddenbrooks – Thomas Mann&lt;br /&gt; &lt;strike&gt;783. Kim – Rudyard Kipling&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;784. Sister Carrie – Theodore Dreiser&lt;/strike&gt;&lt;br /&gt; 785. Lord Jim – Joseph Conrad&lt;br /&gt;&lt;br /&gt;1800s&lt;br /&gt;&lt;br /&gt; 786. Some Experiences of an Irish R.M. – Somerville and Ross&lt;br /&gt; 787. The Stechlin – Theodore Fontane&lt;br /&gt; &lt;strike&gt;788. The Awakening – Kate Chopin&lt;/strike&gt;&lt;br /&gt; 789. The Turn of the Screw – Henry James&lt;br /&gt; &lt;i&gt;790. The War of the Worlds – H.G. Wells&lt;/i&gt;&lt;br /&gt; 791. The Invisible Man – H.G. Wells&lt;br /&gt; 792. What Maisie Knew – Henry James&lt;br /&gt; 793. Fruits of the Earth – André Gide&lt;br /&gt; 794. Dracula – Bram Stoker&lt;br /&gt; 795. Quo Vadis – Henryk Sienkiewicz&lt;br /&gt; 796. The Island of Dr. Moreau – H.G. Wells&lt;br /&gt; 797. The Time Machine – H.G. Wells&lt;br /&gt; 798. Effi Briest – Theodore Fontane&lt;br /&gt; 799. Jude the Obscure – Thomas Hardy&lt;br /&gt; 800. The Real Charlotte – Somerville and Ross&lt;br /&gt; &lt;strike&gt;801. The Yellow Wallpaper – Charlotte Perkins Gilman&lt;/strike&gt;&lt;br /&gt; 802. Born in Exile – George Gissing&lt;br /&gt; 803. Diary of a Nobody – George &amp; Weedon Grossmith&lt;br /&gt; 804. The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle&lt;br /&gt; 805. News from Nowhere – William Morris&lt;br /&gt; 806. New Grub Street – George Gissing&lt;br /&gt; 807. Gösta Berling’s Saga – Selma Lagerlöf&lt;br /&gt; 808. Tess of the D’Urbervilles – Thomas Hardy&lt;br /&gt; &lt;strike&gt;809. The Picture of Dorian Gray – Oscar Wilde&lt;/strike&gt;&lt;br /&gt; 810. The Kreutzer Sonata – Leo Tolstoy&lt;br /&gt; 811. La Bête Humaine – Émile Zola&lt;br /&gt; 812. By the Open Sea – August Strindberg&lt;br /&gt; 813. Hunger – Knut Hamsun&lt;br /&gt; 814. The Master of Ballantrae – Robert Louis Stevenson&lt;br /&gt; 815. Pierre and Jean – Guy de Maupassant&lt;br /&gt; 816. Fortunata and Jacinta – Benito Pérez Galdés&lt;br /&gt; 817. The People of Hemsö – August Strindberg&lt;br /&gt; 818. The Woodlanders – Thomas Hardy&lt;br /&gt; &lt;strike&gt;819. She – H. Rider Haggard&lt;/strike&gt;&lt;br /&gt; 820. The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson&lt;br /&gt; 821. The Mayor of Casterbridge – Thomas Hardy&lt;br /&gt; 822. Kidnapped – Robert Louis Stevenson&lt;br /&gt; 823. King Solomon’s Mines – H. Rider Haggard&lt;br /&gt; 824. Germinal – Émile Zola&lt;br /&gt; &lt;strike&gt;825. The Adventures of Huckleberry Finn – Mark Twain&lt;/strike&gt;&lt;br /&gt; 826. Bel-Ami – Guy de Maupassant&lt;br /&gt; 827. Marius the Epicurean – Walter Pater&lt;br /&gt; 828. Against the Grain – Joris-Karl Huysmans&lt;br /&gt; 829. The Death of Ivan Ilyich – Leo Tolstoy&lt;br /&gt; 830. A Woman’s Life – Guy de Maupassant&lt;br /&gt; &lt;strike&gt;831. Treasure Island – Robert Louis Stevenson&lt;/strike&gt;&lt;br /&gt; 832. The House by the Medlar Tree – Giovanni Verga&lt;br /&gt; 833. The Portrait of a Lady – Henry James&lt;br /&gt; 834. Bouvard and Pécuchet – Gustave Flaubert&lt;br /&gt; 835. Ben-Hur – Lew Wallace&lt;br /&gt; 836. Nana – Émile Zola&lt;br /&gt; 837. The Brothers Karamazov – Fyodor Dostoevsky&lt;br /&gt; 838. The Red Room – August Strindberg&lt;br /&gt; 839. Return of the Native – Thomas Hardy&lt;br /&gt; 840. Anna Karenina – Leo Tolstoy&lt;br /&gt; 841. Drunkard – Émile Zola&lt;br /&gt; 842. Virgin Soil – Ivan Turgenev&lt;br /&gt; 843. Daniel Deronda – George Eliot&lt;br /&gt; 844. The Hand of Ethelberta – Thomas Hardy&lt;br /&gt; 845. The Temptation of Saint Anthony – Gustave Flaubert&lt;br /&gt; 846. Far from the Madding Crowd – Thomas Hardy&lt;br /&gt; 847. The Enchanted Wanderer – Nicolai Leskov&lt;br /&gt; 848. Around the World in Eighty Days – Jules Verne&lt;br /&gt; 849. In a Glass Darkly – Sheridan Le Fanu&lt;br /&gt; 850. The Devils – Fyodor Dostoevsky&lt;br /&gt; 851. Erewhon – Samuel Butler&lt;br /&gt; 852. Spring Torrents – Ivan Turgenev&lt;br /&gt; 853. Middlemarch – George Eliot&lt;br /&gt; &lt;strike&gt;854. Through the Looking Glass, and What Alice Found There – Lewis Carroll&lt;/strike&gt;&lt;br /&gt; 855. King Lear of the Steppes – Ivan Turgenev&lt;br /&gt; 856. He Knew He Was Right – Anthony Trollope&lt;br /&gt; 857. War and Peace – Leo Tolstoy&lt;br /&gt; 858. Sentimental Education – Gustave Flaubert&lt;br /&gt; 859. Phineas Finn – Anthony Trollope&lt;br /&gt; 860. Maldoror – Comte de Lautréaumont&lt;br /&gt; 861. The Idiot – Fyodor Dostoevsky&lt;br /&gt; &lt;strike&gt;862. The Moonstone – Wilkie Collins&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;863. Little Women – Louisa May Alcott&lt;/strike&gt;&lt;br /&gt; 864. Thérèse Raquin – Émile Zola&lt;br /&gt; 865. The Last Chronicle of Barset – Anthony Trollope&lt;br /&gt; 866. Journey to the Centre of the Earth – Jules Verne&lt;br /&gt; 867. Crime and Punishment – Fyodor Dostoevsky&lt;br /&gt; &lt;strike&gt;868. Alice’s Adventures in Wonderland – Lewis Carroll&lt;/strike&gt;&lt;br /&gt; 869. Our Mutual Friend – Charles Dickens&lt;br /&gt; 870. Uncle Silas – Sheridan Le Fanu&lt;br /&gt; 871. Notes from the Underground – Fyodor Dostoevsky&lt;br /&gt; 872. The Water-Babies – Charles Kingsley&lt;br /&gt; &lt;i&gt;873. Les Misérables – Victor Hugo&lt;/i&gt;&lt;br /&gt; 874. Fathers and Sons – Ivan Turgenev&lt;br /&gt; 875. Silas Marner – George Eliot&lt;br /&gt; &lt;strike&gt;876. Great Expectations – Charles Dickens&lt;/strike&gt;&lt;br /&gt; 877. On the Eve – Ivan Turgenev&lt;br /&gt; 878. Castle Richmond – Anthony Trollope&lt;br /&gt; 879. The Mill on the Floss – George Eliot&lt;br /&gt; 880. The Woman in White – Wilkie Collins&lt;br /&gt; 881. The Marble Faun – Nathaniel Hawthorne&lt;br /&gt; 882. Max Havelaar – Multatuli&lt;br /&gt; &lt;i&gt;883. A Tale of Two Cities – Charles Dickens&lt;/i&gt;&lt;br /&gt; 884. Oblomovka – Ivan Goncharov&lt;br /&gt; 885. Adam Bede – George Eliot&lt;br /&gt; 886. Madame Bovary – Gustave Flaubert&lt;br /&gt; 887. North and South – Elizabeth Gaskell&lt;br /&gt; &lt;i&gt;888. Hard Times – Charles Dickens&lt;/i&gt;&lt;br /&gt; &lt;i&gt;889. Walden – Henry David Thoreau&lt;/i&gt;&lt;br /&gt; 890. Bleak House – Charles Dickens&lt;br /&gt; &lt;strike&gt;891. Villette – Charlotte Brontë&lt;/strike&gt;&lt;br /&gt; 892. Cranford – Elizabeth Gaskell&lt;br /&gt; &lt;strike&gt;893. Uncle Tom’s Cabin; or, Life Among the Lonely – Harriet Beecher Stowe&lt;/strike&gt;&lt;br /&gt; 894. The Blithedale Romance – Nathaniel Hawthorne&lt;br /&gt; 895. The House of the Seven Gables – Nathaniel Hawthorne&lt;br /&gt; 896. Moby-Dick – Herman Melville&lt;br /&gt; &lt;strike&gt;897. The Scarlet Letter – Nathaniel Hawthorne&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;898. David Copperfield – Charles Dickens&lt;/strike&gt;&lt;br /&gt; 899. Shirley – Charlotte Brontë&lt;br /&gt; 900. Mary Barton – Elizabeth Gaskell&lt;br /&gt; 901. The Tenant of Wildfell Hall – Anne Brontë&lt;br /&gt; &lt;strike&gt;902. Wuthering Heights – Emily Brontë&lt;/strike&gt;&lt;br /&gt; 903. Agnes Grey – Anne Brontë&lt;br /&gt; &lt;strike&gt;904. Jane Eyre – Charlotte Brontë&lt;/strike&gt;&lt;br /&gt; 905. Vanity Fair – William Makepeace Thackeray&lt;br /&gt; 906. The Count of Monte-Cristo – Alexandre Dumas&lt;br /&gt; 907. La Reine Margot – Alexandre Dumas&lt;br /&gt; 908. The Three Musketeers – Alexandre Dumas&lt;br /&gt; &lt;strike&gt;909. The Purloined Letter – Edgar Allan Poe&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;910. Martin Chuzzlewit – Charles Dickens&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;911. The Pit and the Pendulum – Edgar Allan Poe&lt;/strike&gt;&lt;br /&gt; 912. Lost Illusions – Honoré de Balzac&lt;br /&gt; &lt;strike&gt;913. A Christmas Carol – Charles Dickens&lt;/strike&gt;&lt;br /&gt; 914. Dead Souls – Nikolay Gogol&lt;br /&gt; 915. The Charterhouse of Parma – Stendhal&lt;br /&gt; &lt;strike&gt;916. The Fall of the House of Usher – Edgar Allan Poe&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;917. The Life and Adventures of Nicholas Nickleby – Charles Dickens&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;918. Oliver Twist – Charles Dickens&lt;/strike&gt;&lt;br /&gt; 919. The Nose – Nikolay Gogol&lt;br /&gt; 920. Le Père Goriot – Honoré de Balzac&lt;br /&gt; 921. Eugénie Grandet – Honoré de Balzac&lt;br /&gt; &lt;i&gt;922. The Hunchback of Notre Dame – Victor Hugo&lt;/i&gt;&lt;br /&gt; 923. The Red and the Black – Stendhal&lt;br /&gt; 924. The Betrothed – Alessandro Manzoni&lt;br /&gt; 925. Last of the Mohicans – James Fenimore Cooper&lt;br /&gt; 926. The Private Memoirs and Confessions of a Justified Sinner – James Hogg&lt;br /&gt; 927. The Albigenses – Charles Robert Maturin&lt;br /&gt; 928. Melmoth the Wanderer – Charles Robert Maturin&lt;br /&gt; 929. The Monastery – Sir Walter Scott&lt;br /&gt; 930. Ivanhoe – Sir Walter Scott&lt;br /&gt; &lt;strike&gt;931. Frankenstein – Mary Wollstonecraft Shelley&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;932. Northanger Abbey – Jane Austen&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;933. Persuasion – Jane Austen&lt;/strike&gt;&lt;br /&gt; 934. Ormond – Maria Edgeworth&lt;br /&gt; 935. Rob Roy – Sir Walter Scott&lt;br /&gt; 936. Emma – Jane Austen&lt;br /&gt;&lt;strike&gt; 937. Mansfield Park – Jane Austen&lt;/strike&gt;&lt;br /&gt; &lt;i&gt;938. Pride and Prejudice – Jane Austen&lt;/i&gt;&lt;br /&gt; 939. The Absentee – Maria Edgeworth&lt;br /&gt; &lt;strike&gt;940. Sense and Sensibility – Jane Austen&lt;/strike&gt;&lt;br /&gt; 941. Elective Affinities – Johann Wolfgang von Goethe&lt;br /&gt; 942. Castle Rackrent – Maria Edgeworth&lt;br /&gt;&lt;br /&gt;1700s&lt;br /&gt;&lt;br /&gt; 943. Hyperion – Friedrich Hölderlin&lt;br /&gt; 944. The Nun – Denis Diderot&lt;br /&gt; 945. Camilla – Fanny Burney&lt;br /&gt; &lt;strike&gt;946. The Monk – M.G. Lewis&lt;/strike&gt;&lt;br /&gt; 947. Wilhelm Meister’s Apprenticeship – Johann Wolfgang von Goethe&lt;br /&gt; &lt;strike&gt;948. The Mysteries of Udolpho – Ann Radcliffe&lt;/strike&gt;&lt;br /&gt; &lt;i&gt;949. The Interesting Narrative – Olaudah Equiano&lt;/i&gt;&lt;br /&gt; 950. The Adventures of Caleb Williams – William Godwin&lt;br /&gt; 951. Justine – Marquis de Sade&lt;br /&gt; 952. Vathek – William Beckford&lt;br /&gt; 953. The 120 Days of Sodom – Marquis de Sade&lt;br /&gt; 954. Cecilia – Fanny Burney&lt;br /&gt; 955. Confessions – Jean-Jacques Rousseau&lt;br /&gt; 956. Dangerous Liaisons – Pierre Choderlos de Laclos&lt;br /&gt; 957. Reveries of a Solitary Walker – Jean-Jacques Rousseau&lt;br /&gt; 958. Evelina – Fanny Burney&lt;br /&gt; 959. The Sorrows of Young Werther – Johann Wolfgang von Goethe&lt;br /&gt; 960. Humphrey Clinker – Tobias George Smollett&lt;br /&gt; 961. The Man of Feeling – Henry Mackenzie&lt;br /&gt; 962. A Sentimental Journey – Laurence Sterne&lt;br /&gt; 963. Tristram Shandy – Laurence Sterne&lt;br /&gt; 964. The Vicar of Wakefield – Oliver Goldsmith&lt;br /&gt; &lt;strike&gt;965. The Castle of Otranto – Horace Walpole&lt;/strike&gt;&lt;br /&gt; 966. Émile; or, On Education – Jean-Jacques Rousseau&lt;br /&gt; 967. Rameau’s Nephew – Denis Diderot&lt;br /&gt; 968. Julie; or, the New Eloise – Jean-Jacques Rousseau&lt;br /&gt; &lt;i&gt;969. Rasselas – Samuel Johnson&lt;/i&gt;&lt;br /&gt; &lt;strike&gt;970. Candide – Voltaire&lt;/strike&gt;&lt;br /&gt; 971. The Female Quixote – Charlotte Lennox&lt;br /&gt; 972. Amelia – Henry Fielding&lt;br /&gt; 973. Peregrine Pickle – Tobias George Smollett&lt;br /&gt; 974. Fanny Hill – John Cleland&lt;br /&gt; 975. Tom Jones – Henry Fielding&lt;br /&gt; 976. Roderick Random – Tobias George Smollett&lt;br /&gt; &lt;strike&gt;977. Clarissa – Samuel Richardson&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;978. Pamela – Samuel Richardson&lt;/strike&gt;&lt;br /&gt; 979. Jacques the Fatalist – Denis Diderot&lt;br /&gt; 980. Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift&lt;br /&gt; &lt;strike&gt;981. Joseph Andrews – Henry Fielding&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;982. A Modest Proposal – Jonathan Swift&lt;/strike&gt;&lt;br /&gt; 983. Gulliver’s Travels – Jonathan Swift&lt;br /&gt; 984. Roxana – Daniel Defoe&lt;br /&gt; &lt;strike&gt;985. Moll Flanders – Daniel Defoe&lt;/strike&gt;&lt;br /&gt; 986. Love in Excess – Eliza Haywood&lt;br /&gt; &lt;strike&gt;987. Robinson Crusoe – Daniel Defoe&lt;/strike&gt;&lt;br /&gt; 988. A Tale of a Tub – Jonathan Swift&lt;br /&gt;&lt;br /&gt;Pre-1700&lt;br /&gt;&lt;br /&gt; &lt;strike&gt;989. Oroonoko – Aphra Behn&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;990. The Princess of Clèves – Marie-Madelaine Pioche de Lavergne, Comtesse de La Fayette&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;991. The Pilgrim’s Progress – John Bunyan&lt;/strike&gt;&lt;br /&gt; &lt;i&gt;992. Don Quixote – Miguel de Cervantes Saavedra&lt;/i&gt;&lt;br /&gt; 993. The Unfortunate Traveller – Thomas Nashe&lt;br /&gt; 994. Euphues: The Anatomy of Wit – John Lyly&lt;br /&gt; 995. Gargantua and Pantagruel – Françoise Rabelais&lt;br /&gt; &lt;strike&gt;996. The Thousand and One Nights – Anonymous&lt;/strike&gt;&lt;br /&gt; &lt;strike&gt;997. The Golden Ass – Lucius Apuleius&lt;/strike&gt;&lt;br /&gt; 998. Aithiopika – Heliodorus&lt;br /&gt; 999. Chaireas and Kallirhoe – Chariton&lt;br /&gt;&lt;strike&gt;1000. Metamorphoses – Ovid&lt;/strike&gt;&lt;br /&gt;&lt;strike&gt;1001. Aesop’s Fables – Aesopus&lt;/strike&gt;</description>
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